Este 2024 vamos introduciendo nueva información de bandas independientes alrededor de todo el planeta, si tienes alguna que recomendarnos hazlo así muchos podremos disfrutar de la música universal.
El punto de encuentro de muchas bandas, anécdotas y música de todo el planeta y todas las épocas.
Si conoces una banda nueva o solista coméntale que en este espacio puede publicar sus tracks y su historia.
The Rolling Stones - 1990-07-26 - Rome, IT (AUD/FLAC)
The Rolling Stones - 1990-07-26 - Rome, IT
(Audience FLAC)
Dandelion DL 106/7
Original silvers -> EAC -> FLAC Frontend
Very good - exc. audience recording (not soundboard as cover says by mistake!)
CD 1
Intro (official track "Continental Drift" ->removed!)
Start Me Up
Sad Sad Sad
Harlem Shuffle
Tumbling Dice
Miss You
Ruby Tuesday
Rock And A Hard Place
Mixed Emotions
Honky Tonk Women
Midnight Rambler
You Can’t Always Get What You Want
CD 2
Can’t Be Seen
Happy
Paint It Black
2000 Light Years From Home
Sympathy For The Devil
Street Fighting Man
Gimme Shelter
Band Introductions
It’s Only Rock’n Roll
Brown Sugar
Jumping Jack Flash
Satisfaction
Outro (unknown classical track -> removed!)
Eric Clapton - 2013-03-17 - Austin, TX
(Audience FLAC)
Frank Erwin Center
Bootleg title: Navy Blue - Part 2
Label: Mid Valley 727/728
Lineage:
Silver CDs>EAC(secure & accurate mode)>FLAC
Eric Clapton – guitar, vocals
Doyle Bramhall II – guitar, backing vocals
Greg Leisz – pedal steel guitar
Chris Stainton – piano, keyboards
Paul Carrack - organ, keyboards, vocals
Willie Weeks – bass
Steve Jordan – drums
Michelle John – backing vocals
Sharon White – backing vocals
CD 1
01. Hello Old Friend
02. My Father's Eyes
03. Tell The Truth
04. Gotta Get Over
05. Black Cat Bone
06. Got To Get Better In A Little While
07. Tempted
08. I Shot The Sheriff
09. Driftin'
10. Lay Down Sally
11. Tears In Heaven
12. Wonderful Tonight
13. Layla
CD 2
14. How Long
15. Stones In My Passway
16. Love In Vain
17. Crossroads
18. Little Queen Of Spades
19. Cocaine
20. Sunshine Of Your Love
21. High Time We Went
Notes: Excellent sound quality as usual by MV ! This is not the
recording that surface here, it's much better, really an upgrade.
01 Lucy Leave (Demo)
02 I'm A King Bee (Demo)
Recorded Summer 1965
@ unknown studio, possibly Regent Sound, London
03 Interstellar Overdrive (Demo)
Recorded October 31, 1966
@ Thompson Private Recording Studios, Hempstead
04 Candy And A Currant Bun (Alternate Mix)
Recorded January 29, 1967
@ Sound Techniques, London
05 See Emily Play (Alternate Mix)
Recorded May 21, 1967
@ Sound Techniques, London
06 Astronomy Domine (BBC TV)
Recorded May 14, 1967
@ BBC's "Look Of The Week"
07 Scream Thy Last Scream (Studio Outtake)
Recorded August 7, 1967
@ EMI Abbey Road Studios, London
08 Vegetable Man (Studio Outtake)
Recorded October 9, 1967
@ De Lane Lea Studios, London
09 No Title (Studio Outtake)
Recorded September 4, 1967
@ Sound Techniques, London
10 The Gnome (BBC Radio)
11 Matilda Mother (BBC Radio)
12 The Scarecrow (BBC Radio)
13 Flaming (BBC Radio)
14 Set The Controls For The Heart Of The Sun (BBC Radio)
15 Reaction In G (BBC Radio)
Recorded September 25, 1967
@ BBC Playhouse Theatre, London
16 Vegetable Man (BBC Radio)
17 Scream Thy Last Scream (BBC Radio)
18 Jugband Blues (BBC Radio)
19 Pow R Toc H (BBC Radio)
Recorded December 20, 1967
@ BBC Maida Vale 4 Studios, London
20 CBC Interview with Interstellar Overdrive
Interview Recorded December 1966 @ CBC Studios, London
Interstellar Overdrive Recorded in 1966 @ unknown location
--------------------------------------
This bootleg was compiled from the best available raw sources and was
not stolen from other people's compilations. The audio was remastered
from an audiophile standpoint. Mono material appears in true mono. There
was no additional echo or stereo ambience added. Noise reduction was
not used on any material. Hiss was often reduced through equalization. I
have tried to present the best sonic experience possible without
compromising the integrity of the source material at hand. The final
result is the ultimate Syd bootleg. Even hardcore fans should be able to
find something worthwhile within.
This second version from August 2012 has new sonic upgrades of Tracks
03, 09, 12, 13, 14 & 15. The intro to Track 01 has been patched with
missing material from an inferior source. Tracks 10 & 11 have also
had additional speed correction.
--------------------------------------
Compiled and Remastered by needledrop - Version Two, August 2012
Artwork by Bartsled
Dates and archival info from the book "Random Precision" by David Parker
Pink Floyd & Syd Barrett – Have You Got It Yet №2 (2008)
Tracklist:
CD 1 :
01 Lucy Leave (May/June? 1965) 02:55
02 King Bee (May/June? 1965) 03:06
03 Green Onions (17Dec67 “Tomorrow’s World” BBC-TV) 01:58
04 Int Overdrive (31Oct66 demo 1st gen) 15:07
05 Interview + Int Overdrive (Dec66, CBC) 10:37
06 Matilda Mother (20Jan67 UFO) 02:52
07 Int Overdrive (20Jan67 UFO no voiceover) 04:17
08 Let’s Roll Another One (22Jan67 rehearsal) 01:58
09 Instrumental (22Jan67 rehearsal) 01:10
10 Arnold Layne (28Jan67 acetate) 02:38
11 Candy And A Currant Bun (28Jan67 acetate) 02:04
12 instrumental (24Feb67 UFO prob “Interstellar”) 04:35
13 Pow R. Toc H. (14May67 “Look Of The Week” BBC-TV) 01:02
14 Astronomy Domine (14May67 “Look Of The Week” BBC-TV) 03:59
15 See Emily Play (21May67 acetate, alt ending) 02:53
16 Emily edit piece (16rpm, looped 5x) 00:42
17 Set The Controls (08Aug67 mono) 05:28
СD2:
01 In The Beechwoods (19Oct67) 04:50
02 VegMan (11Oct67, mixdown May68) 02:41
03 VegMan jam (09-11Oct67 mixdown May68) 02:50
04 Untitled, take 7 (04Sep67 1st gen) 01:34
05 Remember A Day (12Oct67 mono) 04:24
06 Scream Thy Last Scream (07Aug67 Jenner 1974 mix) 04:41
07 Vegetable Man (11Oct67 Jenner 1974 mix) 02:31
08 Reaction In G (1967, b’cast 26Apr69 Beat Club, German TV 1stGen) 00:44
09 The Scarecrow (25Sep67 BBC 1stGen) 02:18
10 The Gnome (25Sep67 BBC 1stGen) 02:38
11 Matilda Mother (25Sep67 BBC 1stGen) 03:34
12 Flaming (25Sep67 BBC master) 02:45
13 Set The Controls (25Sep67 BBC master) 03:35
14 Reaction In G (25Sep67 BBC master) 00:51
15 Scream Thy Last Scream (07Aug67 Jones 1987 mix) 04:42
16 Vegetable Man (11Oct67 Jones 1987 mix, from “What Syd Wants”) 02:39
17 Jugband Blues (24Oct67 mono) 03:00
18 Flaming (02Nov67 Tower mono 45) 02:47
19 Set The Controls (18Feb68 Belgian vid mix) 04:53
20 Vegetable Man (20Dec67 BBC 1stGen) 03:37
21 Scream Thy Last Scream (20Dec67 BBC 1stGen) 03:50
22 Jugband Blues (20Dec67 BBC 1stGen) 03:58
23 Pow R. Toc H. (20Dec67 BBC 1stGen) 04:38
24 Tomorrow’s World instrumental (17Dec67 BBC-TV) 01:45
Tracks: ------- Disc 1: 01 I Believe My Time Ain't Long (Dust My Broom) 2:47 02 Country Boogie 2:41 03 I See My Baby 3:05 04 She Just Won't Do Right 3:04 05 My Best Friend 3:22 06 Whose Muddy Shoes 3:16 07 The Twelve Year Old Boy 3:07 08 Coming Home 2:26 09 It Hurts Me Too 3:05 10 Knocking at Your Door 2:38 11 Elmore's Contribution to Jazz 2:20 12 Cry for Me Baby 2:46 13 Take Me Where You Go 2:21 14 Bobby's Back 2:12 15 The Sky Is Crying 2:46 16 Baby Please Set a Date 2:54 17 Held My Baby Last Night 2:55 18 Dust My Broom 2:52
Disc 2: 01 The Sun Is Shining 2:46 02 I Can't Hold Out 2:18 03 Stormy Monday Blues 2:30 04 Madison Blues 2:25 05 The Sun Is Shining (alternate) 2:45 06 Strange Angels 3:08 07 Rollin' and Tumblin' 2:32 08 Done Somebody Wrong 2:21 09 Something Inside Me 4:53 10 I'm Worried 2:52 11 Fine Little Mama 2:36 12 I Need You 2:49 13 She Done Moved 1:54 14 I Can't Stop Loving You 2:42 15 Early One Morning 2:49 16 Stranger Blues 2:55
Disc 3: 01 Stranger Blues 3:15 02 Anna Lee 3:01 03 Standing at the Crossroads 3:01 04 My Bleedin Heart 3:05 05 My Kind of Woman 2:55 06 Got to Move 2:45 07 So Unkind 2:32 08 Person to Person 2:28 09 One Way Out 2:27 10 Go Back Home Again 2:13 11 Look on Yonder Wall 2:28 12 Shake Your Moneymaker (take 1/2) 2:50 13 Mean Mistreatin' Mama (take 1) 1:43 14 Mean Mistreatin' Mama (take 2) 2:47 15 Sunnyland Train 2:16 16 You Know You're Wrong 3:07 17 Mean Mistreatin' Mama (take 3) 2:44 18 You Know You Done Me Wrong 3:37 19 My Baby's Gone 2:58 20 My Kind of Woman 3:04 21 Lool on Yonder Wall 2:56 22 Find My Kinda Woman 2:47
Disc 4: 01 It Hurts Me Too 3:19 02 Dust My Broom 2:58 03 Pickin' the Blues 3:17 04 Everyday I Have the Blues 3:21 05 I've Got a Right to Love My Baby 2:44 06 The Twelve Year Old Boy 3:30 07 She's Got to Go 4:01 08 I Gotta Go Now 3:39 09 Talk to Me Baby 2:50 10 Make My Dreams Come True 2:52 11 Hand in Hand (take 1) 3:08 12 Hand in Hand (take 3) 3:10 13 Conversation (Back in Mississippii) 3:42 14 Hand in Hand (take 4) 3:04 15 I Can't Stop Loving My Baby 2:23 16 Up Jumped Elmore 3:08 17 I Believe 3:27
Syd Barrett and Pink Floyd: Earliest interview CBC radio
Syd Barrett and Pink Floyd: Earliest interview CBC radio
This is a rebroadcast from sometime prior to 1985, of perhaps the first
interview Syd and the group did. It was originally recorded for the CBC
in Canada. Portions of this interview pre-date the Floyd's recording
contract!
Following are reminisces of group members and various early people connected with the band.
Run time is about 20 minutes.
Thanks to Dime member BluePine for the source cassette (do you remember?)
Lineage: Trade cassette ->SoundForge 6.0 -> Light NR ->Flac via Flac Frontend level 6, sectors aligned and verified
Disc 1
01.Be Here Now
02.Stay Young
03.tand By Me
04.Supersonic
05.Some Might Say
06.Roll With It
07.D'You Know What I Mean?
08.Don't Look Back In Anger
09.Don't Go Away
10.Wonderwall
11.Live Forever
12.It's Gettin' Better (Man!!)
Disc 2
01.All Around The World
02.Fade In-Out
03.Champagne Supernova
04.Cigarettes & Alcohol
05.Acquiesce
OFFICIAL TRACKS (REMOVED)
06.All I Want To Do Is Rock (Noel Gallagher & Travis)
Source: Travis - More Than Us [Single CD]
07.Don't Look Back In Anger
Date: September 26th, 1997
Source: "Rock The Dock" Compilation Album (Creation CRECD240)
08.Cigarettes & Alcohol
Source: Don't Go Away [Japan CD-Single] (Epic ESCA 6948)
09.Acquiesce
Source: Acquiesce [US Promo CD] (Epic ESK41571)
10.Acquiesce
Source: Acquiesce [Promo Video]
Electric Light Orchestra concert at Winterland on Feb 14, 1976
Electric Light Orchestra at Wolfgang’s Vault
(covers & informations included) SET LIST
Fire On High 5:51
2 Poker 3:54
3 Nightrider 4:41
4 Cello Solo / Flight Of The Bumblebee 4:56
5 Showdown 4:32
6 Eldorado / Can't Get It Out Of My Head 6:02
7 Poor Boy (The Greenwood) 2:39
8 Illusions In G Major 2:25
9 Eldorado (Part 2) 4:48
10 Violin Solo 6:42
11 Strange Magic 4:53
12 10538 Overture / Do Ya 5:20
13 Evil Woman 4:43
14 Ma-Ma-Ma Belle 4:35
15 Roll Over Beethoven 6:15
When your heart is dancing
Your mind is bouncing
Bounce bounce bounce bounce
I’m a bad dancer
A busy bouncer
Never touch the ground
Never make a sound
I’m a tough lover
A sweet pusher
Writing my life with sand
Waiting too see the land
Place your bets
Watch your step
I’m a bad dancer
With no regrets
Break a leg
Cut the thread
I’m a bad dancer
Full speed ahead
I’m a bad dancer
You’re a bad dancer
He’s a bad dancer
Bad bad bad
I’m a fast mover
A straight shooter
I might bend
To see the end
Never say never
Cause it’s never ‘never’
Produced by Yoko Ono, Sean Lennon, and Yuka C. Honda
Recorded at Sear Sound by Christopher Allen
Mixed by Michael H. Brauer for MHB prods
Mixed at Electric Lady Studios
Mastered by Bob Ludwig at Gateway Mastering
Kevin Harper – Assistant Engineer
Mark Bengston – ProTools Engineer and Assistant
Geoff Thorpe – Art Director
Greg Kadel – Cover Photography
P.J. van Sandwijk – Studio photos
Sean Lennon – Studio photos
Yoko Ono – Drawings
When your heart is dancing
Your mind is bouncing
Bounce bounce bounce bounce
I’m a bad dancer
A busy bouncer
Never touch the ground
Never make a sound
I’m a tough lover
A sweet pusher
Writing my life with sand
Waiting too see the land
Place your bets
Watch your step
I’m a bad dancer
With no regrets
Break a leg
Cut the thread
I’m a bad dancer
Full speed ahead
I’m a bad dancer
You’re a bad dancer
He’s a bad dancer
Bad bad bad
I’m a fast mover
A straight shooter
I might bend
To see the end
Never say never
Cause it’s never ‘never’
Produced by Yoko Ono, Sean Lennon, and Yuka C. Honda
Recorded at Sear Sound by Christopher Allen
Mixed by Michael H. Brauer for MHB prods
Mixed at Electric Lady Studios
Mastered by Bob Ludwig at Gateway Mastering
Kevin Harper – Assistant Engineer
Mark Bengston – ProTools Engineer and Assistant
Geoff Thorpe – Art Director
Greg Kadel – Cover Photography
P.J. van Sandwijk – Studio photos
Sean Lennon – Studio photos
Yoko Ono – Drawings
Tabetai, oh….
Tabetai, ah….
Tabetai, um, um, um.
Gimme juicy steak
Gimme sweet pancakes
Gimme Gimme
Tabetai,
Fried Chicken
Chocolate Pudding
Gimme Gimme Gimme Gimme
Tabetai,
As human race
Let’s keep our trace
This is our place where we made love
Tabetai, um um um.
Pass me the …
For my…
Gimme Gimme Gimme Gimme
Tabetai,
Tabetai um um um.
There’s nothing to eat
Let’s go to another country
Tabetai
Produced by Yoko Ono, Sean Lennon, and Yuka C. Honda
Recorded at Sear Sound by Christopher Allen
Mixed by Michael H. Brauer for MHB prods
Mixed at Electric Lady Studios
Mastered by Bob Ludwig at Gateway Mastering
Kevin Harper – Assistant Engineer
Mark Bengston – ProTools Engineer and Assistant
Geoff Thorpe – Art Director
Greg Kadel – Cover Photography
P.J. van Sandwijk – Studio photos
Sean Lennon – Studio photos
Yoko Ono – Drawings
Moonbeams melting
Into my blood stream
In winter
The snow protected us
Covering our pain
Now I hear ice cracking
Slowly in my brain
My heart is ruminating your sweet words
While my hand’s strangling the birds
People are planets
Their souls are suns
Orbiting the dance floor
Of our cosmic club
Storm clouds were raining
But now they’re gone
My spirit appears like the sun at dawn
Moonbeams spreading their wings
Shining my rings
I got from my three husbands
Who all made me housebound
My heart is ruminating your sweet words
While my hands are skinning the birds.
Spring is here again
Your heartbeat is calling me
Produced by Yoko Ono, Sean Lennon, and Yuka C. Honda
Recorded at Sear Sound by Christopher Allen
Mixed by Michael H. Brauer for MHB prods
Mixed at Electric Lady Studios
Mastered by Bob Ludwig at Gateway Mastering
Kevin Harper – Assistant Engineer
Mark Bengston – ProTools Engineer and Assistant
Geoff Thorpe – Art Director
Greg Kadel – Cover Photography
P.J. van Sandwijk – Studio photos
Sean Lennon – Studio photos
Yoko Ono – Drawings
TAKE ME TO THE LAND OF HELL
is the new album by
YOKO ONO PLASTIC ONO BAND
Available September 17th
on vinyl, CD & digital download
The album continues an
astonishing bout of creativity for Ono, who celebrated her 80th birthday
this year and has just curated the hugely succesful Meltdown Festival at Southbank, London.
“An extraordinary performance by any standard – for a woman in her ninth decade, almost unbelievable” Evening Standard, June 2013
- – - – - – - – - – - – - – - – - – -
The truly amazing YOKO ONO releases her brand new album TAKE ME TO THE LAND OF HELL on Chimera Music on Sep 17th.
The album comes four years after her previous studio album BETWEEN MY HEAD AND THE SKY which
received rave reviews and was voted one of Mojo Magazine’s Albums Of
the Year. That same year Ono was awarded both the Lifetime Achievement
Award by Mojo and The Venice Biennale Golden Lion Award for her
ground-breaking music and art. TAKE ME TO THE LAND OF HELL was recorded in New York and was produced by Yoko Ono, Sean Lennon and Yuka Honda. YOKO ONO PLASTIC ONO BAND also includes members of Cornelius and Cibo Matto, plus – for this album – tUnEyArDs, Questlove, Nels Cline and Andrew Wyatt.
The album includes remixes by Mike D & Adrock and Keigo “Cornelius” Oyamada.
The record was planned and made during a hugely productive period which saw Ono’s 2012 show TO THE LIGHT at London’s Serpentine Gallery break attendance records; she then went on to open HALF-A-WIND SHOW, a major retrospective in Frankfurt, finish her instruction book ACORN, travel extensively to oversee various museum shows, score her 10th No 1 hit HOLD ME on the Billboard Dance Chart, actively campaign against fracking in New York State, win the MTV O Music Award for ‘Digital Genius’ and – most recently – plan the Meltdown Festival at Southbank, London, which she curated.
Yoko’s curatorship is already being hailed as the best in the 20 year
history of the festival which this year included a coruscating opening
night performance by YOKO ONO PLASTIC ONO BAND, and
guest appearances by Ono with Cibo Matto, Peaches, Kim Gordon and a
closing night collaborative performance with Siouxsie of Ono’s seminal
“Walking On Thin Ice”.
Meltdown 2013 featured a huge cross–section of artists including
Savages, Kim Gordon, Siouxsie, Cibo Matto, Bo Ningen, Thurston Moore,
Iggy Pop, Deerhoof, Patti Smith, Peaches, Marianne Faithfull, Boy
George, Patrick Wolf, Reggie Watts, Viv Albertine, Alva Noto and Ryuichi
Sakamoto, Pussy Riot and Immortal Technique.
- – - – - – - – - – - – - – - – - – -
Praise for Yoko’s performance at Meltdown 2013:
“It’s a heck of a racket for a gal in her eighties – Yoko is the star but the music offers her the sky to shine in” The Independent
“An international treasure shines.
Ono has transcended age – she opened Meltdown 2013 with a blistering,
thrilling, cutting-edge musical set which not so much pushed boundaries
as ignored them” Evening Standard
“Even at 80 Yoko is out on her Ono” Observer
“Octogenarian’s standing elevated to the angel of the avant garde” The Guardian
- – - – - – - – - – - – - – - – - – -
MOONBEAMS, the staggering opening track of the new album, was recently previewed on Soundcloud, ahead of its live premiere as the opening song of Meltdown 2013.
Ono said today:
“My new album comes at a very special
time for me. I’m so happy that it’s being released after all the
incredible shows that made up Meltdown. The energy I have right now, and
the desire to continue to make as much great work as I can, is really
moving me forwards all the time. This album is the culmination of a lot
of ideas I’ve been having over the last few years and I feel proud to
release it at such an exciting time of my life.”
Yoko Ono has a major art retrospective HALF-A WIND SHOW currently on view at the Louisiana Museum in Copenhagen, later opening at Kunsthalle Krems, Austria on 20th November 2013, and another major art retrospective WAR IS OVER! (IF YOU WANT IT) opening on 15th November at the Museum of Contemporary Art in Sydney. TAKE ME TO THE LAND OF HELL is released on September 17th.
I’m rolling in your dreams
Listening to your screams
The memory is covered by the rain of pain
The boat will float
to end of seas
Taking your memory of pain
When the Cheshire Cat slowly smiles to us
Cheshire Cat
Cheshire Cat
The river is drying
Faster than your memory of pain
“We the expendable people of the United States
Hold these dreams to be self-destructive”
Cheshire Cat
Cheshire Cat
Taking your memory of pain with it
Cheshire Cat
Cheshire Cat
And the boat will float
to end of seas
“We the expendable people of the United States
Hold these dreams to be self-destructive”
Cheshire Cat
Cheshire Cat
Blood is creating
A lake of tears of pain
Rain of pain
Stop the violence
Stop all wars
Stop the violence
Stop all wars
Taking your memory of pain with it
“We the expendable people of the United States
Ask for the violence to disappear”
“We the expendable people of the United States
Hold these dreams to be self-destructive”
Blood Money will give us independence and power
Stop the violence
I’m rolling in your dreams
Stop all wars
Listening to your screams
Stop the violence
The memory is covered by the rain of pain
Stop all wars
Cheshire Cat
Cheshire Cat
Cheshire Cat
Stop the violence
Stop the violence
Stop all wars
Who needs violence?
Who needs war?
Who needs it?
Who needs it?
Produced by Yoko Ono, Sean Lennon, and Yuka C. Honda
Recorded at Sear Sound by Christopher Allen
Mixed by Michael H. Brauer for MHB prods
Mixed at Electric Lady Studios
Mastered by Bob Ludwig at Gateway Mastering
Kevin Harper – Assistant Engineer
Mark Bengston – ProTools Engineer and AssistantGeoff Thorpe – Art Director
Greg Kadel – Cover Photography
P.J. van Sandwijk – Studio photos
Sean Lennon – Studio photos
Yoko Ono – Drawings
20 de marzo 1969 : John y Yoko se casan y comienzan su campaña permanente por la Paz en ' Amsterdam ' . Yoko : " Volvamos al futuro , ya sabes. Es por eso que estamos aquí. Queremos hablar sobre todo a los jóvenes de todo el mundo, porque esas son las personas que van a ser la próxima generación . Ellos van a ser el otro mundo , ya sabes, y sólo queremos decir que estamos con ellos. No estamos predicando ni nada de eso . Queremos estar con ellos y estamos con ellos " . John Lennon y Yoko Ono : ' Amsterdam ' de ' Wedding Album ' John
: Lo que estamos haciendo en realidad es el envío de un mensaje al
mundo , sobre todo a los jóvenes , especialmente a los jóvenes ni a
nadie realmente que está interesado en protesta por la paz, o protestar
contra cualquier forma de violencia y le decimos a todo el mundo está
haciendo un poco pesado o poco intelectual respecto. Todo
el mundo está hablando de la paz , pero nadie hace nada al respecto, a
excepción de unas pocas personas , y las cosas como el Grosvenor Square
marchas en Londres. El producto final era sólo artículos periodísticos sobre los disturbios y enfrentamientos . Y
lo hicimos el evento cama en Amsterdam y la pieza Bolsa de Viena sólo
para dar a la gente una idea, que hay muchas formas de protesta y este
es uno de ellos . Y
cualquiera podría crecer el pelo por la paz o renunciar a una semana de
sus vacaciones para la paz o sentarse en una bolsa para la paz , la
protesta contra la paz de todos modos, pero pacíficamente . Porque
creemos que la paz sólo se consigue por métodos pacíficos y que para
luchar contra el establecimiento con sus propias armas no es bueno,
porque siempre ganan y los que habían estado ganando durante miles de
años . Ellos saben cómo jugar el juego de "violencia" y es más fácil para ellos cuando pueden reconocer y te dispare. Ellos no saben cómo manejar el humor , y el humor tranquilo. Y ese es nuestro mensaje de verdad. Q : ¿Qué crees que fue el mayor éxito de la historia, alrededor de 300 años?John : No tiene ni idea.Yoko : Bueno , tal vez es aún está por suceder , ya ves. Es por eso que estamos tratando de hacer. En
otras palabras, por métodos muy, muy pacíficos para lograr la paz , ya
sabes , en lugar de la paz a través de la violencia , que es lo que
estamos tratando de hacer. Y
si tenemos éxito en esto, ese es el mayor acontecimiento sin embargo,
en los últimos 300 años , ya que nunca se ha hecho y nadie lo ha
intentado, ya ves. Y eso es lo que estamos tratando de hacer. Q : ¿Qué haría usted en caso de una guerra ?John : ¿Qué quieres decir ? Q
: ¿Qué haría usted de inmediato si usted desea despertar en la mañana ,
leer los periódicos y les dirá que Inglaterra está en guerra con
Francia? John : Me muero de miedo . Yoko : No creo que debería suceder. Hablas como si algo va a pasar fuera de nosotros. Todos estamos en esto que usted ve . Todos estamos en la misma sociedad y en el mismo mundo y todo lo que nos sucede es nuestra responsabilidad , ya sabes. Al
igual que cualquier tipo de violencia que va en el mundo es sólo un
símbolo de todo el ambiente de violencia que hay en el mundo , ya ves. Y
cuando los nazis perseguían a los judíos que no era sólo Hitler quien
lo hizo , o Alemania que lo hizo , pero sólo un símbolo de todas las
personas en el mundo que tenía la sensación de que la persecución de los
Judios , ¿ves? Así que compartimos todo, así que eso no va a suceder. Si hay guerra repente , eso es culpa nuestra , ya sabes. Q : Entonces, ¿qué opinas sobre el comportamiento de los austríacos y los alemanes durante la segunda guerra mundial? ¿No te parece que son un poco más responsable que los demás? John : No, no especialmente . Yoko : No, no especialmente . No,
el mundo entero , si todo el mundo era muy consciente de ello y si los
periodistas y los medios de comunicación de la época eran muy
conscientes de su responsabilidad , así y refirieron todas las cosas
correctas , ya sabes, así que es casi imposible, estoy
seguro, pero lo más posible y si todo el mundo era consciente de su
responsabilidad, que podrían haber sido detenido, estoy seguro. John
: Bueno, sabemos que el Reino Unido y algunos otros condados esperaron
mucho tiempo antes de que se tome cualquier decisión sobre qué hacer . No
estoy muy seguro de los hechos , ya sabes, pero después de ese tipo de
cosas y Checoslovaquia , que podría haber dejado antes, pero esperó
hasta que esté en la puerta , ya sabes , hasta que se trata de su dinero
o su territorio . Q : Hay un tipo especial de la petición que se vetada por contenidos especiales .. John : No, yo no lo creo porque ... Q : Hitler podría haber sido votado por los franceses , por ejemplo.John : Cada nación tendrá un prototipo. Creo que estaba fuera hablando con uno de los chicos de televisión austriaca . Yo decía " ¿Me puede nombrar un país europeo que no ha violado a la clase de mundo? " y dijo Austria en realidad era el único que no atacó a nadie más. Siempre estaban a la defensiva. No sé si eso es cierto. Q : Pero ellos guardaron silencio en el momento equivocado ...John : Bueno , eso es malo , estoy de acuerdo en que el silencio es malo. Pero
quiero decir que no es un país europeo que no ha tenido es Hitler , de
un modo u otro , entre ellos Gran Bretaña , en lo que le hicieron a la
India y Sudáfrica , ya sabes. Yoko : Así que vamos para atrás hacia el futuro, ya sabes. Así que es por eso que estamos aquí. Queremos hablar sobre todo a los jóvenes de todo el mundo, porque esas son las personas que van a ser la próxima generación . Ellos van a ser el otro mundo , ya sabes, y sólo queremos decir que estamos con ellos. No estamos predicando ni nada de eso . Queremos
estar con ellos y estamos con ellos y en nuestro camino , estamos
anunciando que estamos abiertos a todas las invitaciones o sugerencias o
cualquier cosa que trabajar por la paz mundial , se ve, y lo estamos
haciendo ahora
, a nuestra manera , que creemos que es lo mejor para nosotros y
también los jóvenes tienen que darse cuenta de que esto es tan malo como
antes de la segunda guerra mundial o en medio de ella , ya sabes, que
todo , todo la
violencia que está ocurriendo en el mundo ahora son nuestra
responsabilidad y si no nos damos cuenta de que realmente y empezar
inmediatamente algo , acción, usted sabe, que va a ser malo , ya sabes. Y va a ser exactamente como dijiste. Una mañana , nos encontramos en el periódico, encontramos que todo el mundo va a desaparecer , ya sabes. Q
: Estoy de acuerdo contigo, pero no te veo , quiero decir , es un hecho
que a través de su comportamiento , creo que está bien , pero para
mucha gente , a través de su comportamiento, a sospechar. No creen que esto puede ser correcto, gente sentada bajo un mantel de protesta contra las guerras . Ellos no piensan ... Yoko
: Bueno, antes de que nos critican , ya sabes, y si nos quieren
criticar, bien , adelante , y deben hacerlo a su manera , pero hacen
algo , ya sabes. Q : ¿Así que todo el mundo debe tirar la parte de Hitler de su alma, entonces ?John : Sí, sí , todos tenemos en nosotros. En
cierto modo , estamos diciendo " queremos la paz " y nos vamos a quedar
en la cama por la paz , pero estoy tan violento como el que más , y
estoy seguro de yugo es tan violenta igual de bien. Nosotros somos personas violentas , ya sabes. Yo prefiero a mí mismo cuando estoy sin violencia. Prefiero me amigos cuando están sin violencia. Simplemente hace para facilitar la vida y si tenemos que tener la violencia , vamos a canalizarlo . Usted sabe, yo no sé cómo , sabes . Hay otras personas puedan encontrar la manera de canalizarla , o darles un lugar para jugar y matarse unos a otros o algo así. Pero yo no quiero participar en su violencia. Prefiero vivir en paz , ya sabes. Yoko : Todo lo que necesita es coraje , tu sabes . Usted puede ir a la calle de vez en quitarse toda la ropa y decir "¡Paz! " usted sabe y usted estará en las noticias que usted ve. Sólo
el coraje y si todo el mundo recibe el coraje y por supuesto que sería ,
porque ellos piensan bien tal vez esto es un poco vergonzoso lo poco
que hacer, pero mira a John y Yoko que están haciendo mal, así que lo
puedo hacer , ya sabes . Eso es todo lo que estamos tratando de hacer , ya ves. Q : ¿Así que usted está poniendo coraje, también , en el mundo ? John : Eso esperamos . Yoko : Eso espero . John : Bueno .( collage sonoro : Gaviotas y tonos musicales) John : Quédate en la cama ! John : Mira que hay una mosca revoloteando alrededor. Sólo te hace reír . Yoko : ¿Qué hora es? John : ¿Qué hora es ? ¿Es que tarde? Yoko : ¿Qué? John : 09:30 . Er .. Buenos días. Me estaba diciendo acerca Bagism , ya ves, te metes en esta bolsa y de saltar por la ventana. Lo siguiente que sabes , tienes a un policía en la cabeza. ¿Quieres té? Yoko : ¿Sabes lo que quiero, John? John : ¿Qué, qué , qué, qué . Oh , nos dan una oportunidad! ¿Quieres uno antes que yo. Sí , ni siquiera he regresado a eso. ¿Me podría dar servicio a la habitación , por favor. ¿Quieres tostadas ? Yoko : Just té. ¿Qué quieres , café o té ? John : Tea . Yoko : Tea .John : por favor Dos de té. Sí, 902. Y unas tostadas . Sí, marrón tostado . Buenos días. Sí, sí . Conozco y unas tostadas . Brown pan tostado. Si. Gracias. Adiós, adiós . Muy bien .( cambio de escena ) Juan : Hola, perro. Es hermoso, ¿no es así ? No, no, no. Será sólo toman una gran cantidad de cuidados. Bueno, pensar en ti , Amsterdam . Él es un perro encantador , eh. Yoko : Sí , es encantador . John : Muchas gracias . Visitante: Aquí tiene. John : Gracias . ¿Vas a tomar de mí ahora " ! Visitante: Sí, si no te importa . Muchas gracias . John : Pensé que estabas dando .. sólo lo hizo un enchufe entonces ... Visitante: Adiós, adiós . Adiós, adiós . No, no . John : En cierto modo me estaba bajo esa impresión. Ella nos dio el perro y luego se fue. Muy agradable.( cambio de escena ) Yoko : Es más bien una especie de balanceo muy bien . ¿No lo crees así ? John : La idea de que el largo pelo Beatle en el santuario del siglo 19.( cambio de escena ) John
: (leyendo la carta ) " Por favor, deje este absurdo Vete a casa no nos
gusta la gente como usted va a un médico para que sea normal. . . . " Usted consigue esto? Vaya al médico para ser normal. Estamos viendo a un psiquiatra hoy , así que tal vez nos vamos a arreglar después . Qué maravilla . No obtenemos a través de un cierto nivel , como note . ¿Era esa la marihuana. Hermoso , hermoso. Mantenga fumar. Vamos a abrirlo. Nada ilegal, hermoso, hermoso. Hey , esos niños son tan duros como la prensa real. Yoko : Sí , increíble. John : Amazing . Son tan dura como la prensa real. Muy sexy. Es un muchacho, es un muchacho. Q : ¿Por qué te vas a quedar en la cama durante 7 días ?John : Ah , ya ... Q
: Bueno , en primer lugar , permítanme decir felicitaciones por su
matrimonio y que en holandés es " Gefiliciteerd reunió je Getrouw ' . John : Oh , húmedo u wel , oh, chocolat ! Q : ¿Qué explica esta misión se encuentra en en este momento ! John : Bueno , se empieza ... Yoko
: Bueno, porque pensamos que de esta idea acerca de permanecer en cama
durante 7 días para protestar contra la violencia en el mundo. Q : ¿Usted piensa en su situación geográfica como el centro de Europa ?John : No, no me di cuenta , ¿verdad? Oh , fantástico! Fue mágico continuación , puede ver, hacer que el camino ... Q : Bueno, ellos lo llaman " El centro de Europa" . Se trata de una campaña publicitaria de una compañía aérea.John : Bueno, bueno darnos un boleto gratis y vamos a estar bien.Varios: Ponte de pie ! Inclínate hacia nosotros. Ponte de pie sobre sus rodillas , tal vez. Gire y de rodillas. Tan pronto como nos sea posible ... pero te necesitamos aquíJohn
: Bueno, de todas formas un policía entró y un elefante se me echó
encima la cabeza , así que me dijo que lo que está pasando y me dijo
coles y al momento siguiente estaba en la película. ¿Sí? Q : Amor, Paz y la cama! Sin olvidar jam por supuesto. Bueno, supongo que ahora que se acabó? Q : ¿Tienes frío ? John : No, no, no! Q : ciggies . Sí
, la música , ya sabes, si nos remontamos a los tiempos de una , de una
, vamos a ver , ¿por dónde empezamos ahora , comenzamos con , er ... ' ¿Me amas ? " John : No , no en particular . ¿Qué te parece ? (cantando ) Adiós Amsterdam, adiós. Yoko : Quédate en la cama por la Paz cama . Por la paz del mundo, quedarse en la cama . Haga crecer su cabello. John : Haga crecer su cabello. Bien, buenas noches . Ahora es el momento de dar las buenas noches , buenas noches, que duermas bien . Ahora el sol apaga su luz. Muchas gracias . Yoko : ¡Qué hermoso día fue sin embargo. Muy cansado , sin embargo. Es tan batido como un loco , ya sabes. Juan : Se puede decir que tipo de calor? Yoko : Haga crecer su cabello. John : Peace cama . Yoko : Peace pelo .John : La paz pelo, Bed Peace . Oh , sí.
20 March 1969: John & Yoko get married and begin their lifelong campaign for Peace in 'Amsterdam'. Yoko:
“Let’s go back to the future, you know. That’s why we’re here. We want
to talk mainly to the young people all over the world, because those are
the people who are going to be the next generation. They’re going to be
the next world, you know, and we just want to say we are with them.
We’re not preaching or anything like that. We want to be with them and
we’re with them.” John Lennon & Yoko Ono: ‘Amsterdam’ from ‘Wedding Album’ John: What
we're really doing is sending out a message to the world, mainly to the
youth, especially the youth or anybody really that's interested in
protesting for peace, or protesting against any forms of violence and we
say everybody's getting a bit heavy or bit intellectual about it.
Everybody's talking about peace, but nobody's doing anything about it,
except for a few people, and the things like the Grosvenor Square
marches in London. The end product of it was just newspaper stories
about riots and fighting. And we did the bed event in Amsterdam and the
Bag Piece in Vienna just to give people an idea, that there's many ways
of protest and this is one of them. And anybody could grow their hair
for peace or give up a week of their holiday for peace or sit in a bag
for peace, protest against peace anyway, but peacefully. Because we
think that peace is only got by peaceful methods and that to fight the
establishment with their own weapons is no good, because they always win
and they'd been winning for thousands of years. They know how to play
the game 'violence' and it's easier for them when they can recognise you
and shoot you. They don't know how to handle humour, and peaceful
humour. And that's our message really. Q: What do you think was the biggest success in history, about 300 years? John: Haven't a clue. Yoko:
Well, maybe it's still yet to happen, you see. That's why we're trying
to do it. In other words, by very, very peaceful methods to bring peace,
you know, instead of peace through violence, that's what we're trying
to do. And if we succeed in that, that's the biggest happening yet in
the last 300 years, because it's never been done and nobody has really
tried it, you see. And that's what we're trying to do. Q: What would you do in case of a war? John: How do you mean? Q:
What would you do immediately if you would wake up in the morning, read
the newspapers and they would tell you England is in war with France? John: I'd die of fright. Yoko:
I don't think that should happen. You talk as if something's going to
happen outside of us. We are all in this you see. We are all in the same
society and in the same world and everything that happens to us is our
responsibility, you know. Like any violence going in the world is just a
symbol of all the violent atmosphere that is in the world, you see. And
when the Nazis persecuted the Jewish people that wasn't only Hitler who
did it, or Germany who did it, but just a symbol of everybody in the
world who had the feeling for the persecution of Jews, you see? So we
share everything, so that's not gonna happen. If there's war suddenly,
that's our fault, you know. Q: So what do you think about
the behaviour of Austrian and Germans during the second world war? Don't
you think that they're a little bit more responsible than the others? John: No, not particularly. Yoko: No,
not particularly. No. The whole world, if the whole world was really
aware of it and if the journalists and the communication media of those
days were really aware of their responsibility as well and reported
everything correct, you know, well, which is almost impossible, I'm
sure, but as much as possible and if the whole world was aware of their
responsibility, it could have been stopped, I'm sure. John:
Well, we know that Britain and a few other counties waited quite a long
time before they made any decision about what to do. I'm not quite sure
of the facts, you know, but after Czechoslovakia and things like that,
they could've stopped it earlier, but they waited until it's on the
doorstep, you know, until it involves their money, or their territory. Q: There's a special type of petition that is vetoed by special contents .. John: No. I don't think so because... Q: Hitler could have been voted by the French, for instance. John: Every
nation will have a prototype. I think I was out talking to one of the
Austrian TV guys. I was saying "Can you name me one European country
which hasn't sort of raped the world?" and he said Austria actually was
the only one that didn't attack anybody else. They were always on the
defensive. I don't know whether that's true. Q: But they were silent at the wrong moment... John:
Okay, that's bad, I agree that silence is bad. But I mean there isn't
one European country that hasn't had it's Hitler, one way or the other,
including Britain, in what they did to India and South Africa, you know. Yoko: So
let's so back to the future, you know. So that's why we're here. We
want to talk mainly to the young people all over the world, because
those are the people who are going to be the next generation. They're
going to be the next world, you know, and we just want to say we are
with them. We're not preaching or anything like that. We want to be with
them and we're with them and in our way, we're just announcing that
we're open to all invitations or suggestions or anything to work for the
world peace, you see, and we're doing it now, in our own way, which we
think is the best for us and also the young people have to realise that
this is just as bad as before the second world war or right in the
middle of it, you know, that everything, all the violence that is
happening in the world now are our responsibility and if we don't really
realise it and immediately start something, action, you know, it's
going to be bad, you know. And it will be exactly like you said. One
morning, we find in the newspaper, find that the whole world is going to
disappear, you know. Q: I agree with you, but don't you
see, I mean, it's a fact that by through your behaviour, I think it's
okay, but for a lot of people, through your behaviour, to get
suspicious. They don't think that this can be correct, people sitting
under a tablecloth protesting against wars. They don't think... Yoko: Okay,
before they criticise us, you know, and if they want to criticise us,
OK, go ahead, and they should do it in their own way, but do something,
you know. Q: So everybody should throw out his part of Hitler out of his soul, then? John:
Yes, yes, we all have it in us. In a way, we're saying "we want peace"
and we're staying in bed for peace, but I'm as violent as the next man,
and I'm sure yoke is just as violent just as well. We're violent people,
you know. I prefer myself when I'm non-violent. I prefer me friends
when they're non-violent. It just makes for easier living and if we have
to have violence, let's channel it. You know, I don't know how, you
know. There's other people can work out how to channel it, or give them
somewhere to play and kill each other or something. But I don't want to
be involved in their violence. I prefer to live in peace, you know. Yoko:
All you need is courage, you know. You can just go out in the street
now and take off all your clothes and just say "Peace!" you know and
you'll be in the news you see. Just courage and if everybody gets
courage and of course they would, because they would think all right
maybe this is a little bit embarrassing thing to do, but look at John
and Yoko they're doing worse, so I can do it, you know. That's all we're
trying to do, you see. Q: So you're putting courage, also, into the world? John: We hope so. Yoko: I hope so. John: Okay. (sound collage: Seagulls & musical tones) John: Stay in bed! John: Look there's a fly flitting around. Just makes you laugh. Yoko: What time is it? John: What's the time? Is it that late? Yoko: What? John: 9:30.
Er.. Good morning. I was saying about Bagism, you see, you get in this
bag and you jump out the window. Next thing you know, you got a
policeman on your head. You want tea? Yoko: You know what I want, John? John:
What, what, what, what. Oh, give us a chance! You want one before I do.
Yes, I haven't even got round to that. Could I have room service,
please. Do you want toast? Yoko: Just tea. Which do you want, coffee or tea? John: Tea. Yoko: Tea. John: Two
tea's please. Yeah, 902. And some toast. Yeah, brown toast. Good
morning. Yeah, yeah. I know and some toast. Brown toast. Yeah. Thank
you. Bye, bye. Alright. (scene change) John: Hello, dog.
It's beautiful, isn't it? No, no, no. It'll just they take a lot of
looking after. Well think about you, Amsterdam. He's a lovely dog, huh. Yoko: Yes, it's lovely. John: Thank you very much. Visitor: Here you are. John: Thank you. You gonna take him off me now'! Visitor: Yes, if you don't mind. Thank you very much. John: I thought you were giving.. they just did a plug then... Visitor: Bye, bye. Bye, bye. No, no. John: I sort of was under that impression. She gave us the dog and then went away. Very nice. (scene change) Yoko: That's rather sort of really swinging though. Don't you think so? John: The thought of the long haired Beatle in the 19th century sanctuary. (scene change) John: (reading
a letter) "Please stop this nonsense. Go home. We don't like people
like you. Go to a doctor to be normal." You get this? Go to a doctor to
be normal. We're seeing a psychiatrist today, so maybe he'll fix us up
then. Bloody marvellous. We don't get through on some level, as you
notice. Was that the marijuana. Beautiful, beautiful. Keep smoking.
Let's open it up. Nothing illegal beautiful, beautiful. Hey, those kids
are as hard as the real press. Yoko: Yes, amazing. John: Amazing. They're just as tough as the real press. Very sexy. It's a boy, it's a boy. Q: Why are you staying in bed for 7 days? John: Ah, because... Q: Well, first of all, let me say congratulations on your marriage and that in Dutch is 'Gefiliciteerd met je getrouw'. John: Oh, dank u wel, oh, chocolat! Q: How about explaining this mission you are on at this moment! John: Well, you start... Yoko: Well, because we thought of this idea about staying in bed for 7 days for protest against violence in the world. Q: Did you think of its geographical situation as being the centre of Europe? John: No, I didn't realise, is it? Oh, fantastic! It was magic then, you see, cause the way... Q: Well, they call it 'The centre of Europe'. It's an advertising campaign for an airline. John: Okay, well give us a free ticket and we'll be all right. Various:
Stand up! Bend over towards us. Stand up on your knees, maybe. Turn and
on your knees. As soon as we can... but we need you here John: So,
anyway a policeman came in and an elephant jumped on me head, so I said
what's going on and he said cabbages and the next moment I was on film.
Yeah? Q: Love, Peace and Bed! Not forgetting jam of course. Okay, guess now it's over? Q: Are you cold? John: No, no, no! Q:
Ciggies. Yeah, music, you know, if you go back to the days of a, of a,
let's see, where do we start now, we start with, er... 'Do you love me?" John: Not, not particularly. How about that? (singing) Good bye Amsterdam, goodbye. Yoko: Stay in bed for Bed Peace. For peace of the world, stay in bed. Grow your hair. John:
Grow your hair. Okay, good night. Now it's time to say good night, good
night, sleep tight. Now the sun puts out his light. Thanks very much. Yoko: What a beautiful day it was though. Very tiring, though. It's so churning like crazy, you know. John: You can say that sort of hot? Yoko: Grow your hair. John: Bed Peace. Yoko: Hair Peace. John: Hair Peace, Bed Peace. Oh, yeah.
Imagine there's no heaven It's easy if you try No hell below us Above us only sky Imagine all the people Living for today...
Imagine there's no countries It isn't hard to do Nothing to kill or die for And no religion too Imagine all the people Living life in peace...
You may say I'm a dreamer But I'm not the only one I hope someday you'll join us And the world will be as one
Imagine no possessions I wonder if you can No need for greed or hunger A brotherhood of man Imagine all the people Sharing all the world...
You may say I'm a dreamer But I'm not the only one I hope someday you'll join us And the world will live as one
John Lennon: vocal, pianos Klaus Voormann: bass guitar Alan White: drums Strings: "The Flux Fiddlers" (The New York Philharmonic) String arrangement: John Lennon String orchestration: Torrie Zito Produced by John & Yoko & Phil Spector.
Always on the lookout for things that shift our view and spark ideas, we were very happy to discover that Yoko Ono’s 1970 book Grapefruit: A Book of Instructions and Drawings by Yoko Ono has
been reprinted. It is a FINE book of instructions— koan-like
meditations that will, in fact, make you see a little differently…
…in a sort of back-of-the-mind way…
… More here.
We find one a day, especially in the morning, like a kind of tonic.
The book also makes a surprising gift. Thanks Holton and Maria!
PACO DE LUCÍA EN LIMA 2013: precios de entradasUno de los máximos representantes de la guitarra flamenca en la actualidad volverá a nuestro país. Luego de una larga espera, Paco de Lucía volverá a Lima para presentarse el martes 29 de octubre en el Gran Teatro Nacional. El concierto además contará con músicos en escena, cantantes y bailadores.
Paco de Lucía llegará a Lima, Perú en el marco de una gira que también pasará por Cuba, México, Colombia, Ecuador Brasil, Argentina, y Chile. La producción ha señalado que el espectáculo completo tendrá más de dos horas de duración y habrá en escena teclados, bajo, percusión, vientos, un cantante, dos bailadores y sin lugar a dudas la guitarra de Paco de Lucía.
Las entradas ya se encuentran a la venta en los módulos de Tu Entrada de Vivanda y Plaza Vea. Los precios son los siguientes:
has
been reprinted. It is a FINE book of instructions— koan-like
meditations that will, in fact, make you see a little differently…
