Este 2024 vamos introduciendo nueva información de bandas independientes alrededor de todo el planeta, si tienes alguna que recomendarnos hazlo así muchos podremos disfrutar de la música universal.
El punto de encuentro de muchas bandas, anécdotas y música de todo el planeta y todas las épocas.
Si conoces una banda nueva o solista coméntale que en este espacio puede publicar sus tracks y su historia.
HOY HOY HOY TRIBUTO A JIMI HENDRIX Y STEVIE RAY VAUGHAN EN EL JAMAICA
FREE TOWN DESDE LAS 10PM!! ENTRADA LIBRE TODA LA NOCHE!!
MELÓMANOS Y BLUSEROS,
Este Sábado 26, les tenemos preparado un super concierto Tributo de dos grandes guitarristas de todos los tiempos a Jimi Hendrix vs Stevie Ray vaughan en una sola escena gracias a la participación de Allan Belt & Maniac Experience en el Jamaica Free Town desde las 10PM.
ENTRADA LIBRE!!!
Integrantes: Allan Belt en la Voz y Guitarra Samuel Peche en el Bajo Steven Liza en la Bateria
Miembros: Gil Lopes (Vocals)
Angelo Torquetto (Guitar)
Karim Serri (Guitar)
Allan Pavani (Bass)
Jarlisson Jaty (Drums)
Género: Metal
Ciudad de origen: Curitiba/Brazil
DOOMSDAY HYMN. (la banda del
ex- guitarrista de SEVEN ANGELS) Karim Serri.
Desde Brasil:
WILL MATHEUS, además bandas lcoales como: Jeremías, Melquisedec, entre
otros.
Precio: Entrada Libre.
Lugar: Av. Bolivia 266 (altura cruce con wilson) ZENTRO RESTOBAR
Doomsday Hymn Mene Tequel Ufarsim Official
Doomsday Hymn - "Medos (Live)" with English lyrics
FEARS (MEDOS) Music: Karim Serri / Lyrics: Gil Lopes
AMONG YOUR FEARS, DEATH DOMINATES YOU!
THERE´S NO WAY TO ESCAPE – DEATH IS SURE STARTING LIFE
THERE´S NO WAY TO RUN AWAY – EVEN INTO THE VALLEYS TRUST IN LIFE
AMONG YOUR FEARS, DEATH DOMINATES YOU!
PURSUED BY YOUR FEARS
ANXIETY TERRORIZES YOUR DESIRES AND TRY TO AVOID LIFE.
DEATH COMES IN PAIN AND COVERS YOU LIKE A FOG
FEAR HAUNTS YOU AND IT DOES NOT ANNIHILATE YOU
AMONG YOUR FEARS, DEATH DOMINATES YOU
THROUGH THE NARROW PATH WAS BORN FAITH
TRUST IN GOD THE AUTHOR OF LIFE
THERE´S NO WAY TO ESCAPE – DEATH IS SURE STARTING LIFE
THERE´S NO WAY TO RUN AWAY – EVEN INTO THE VALLEYS TRUST IN LIFE
They can't take it from me if they try I lived through those early days So many times I had to change the pain to laughter Just to keep from getting crazed
Dressed in black from head to toe Two guitars across our backs We would walk the city roads Seeking someone who would listen to the music That we were writing down at home
But they can't take it from me if they try I lived through those early days So many times I had to change the pain to laughter Just to keep from getting crazy
Hair slicked back with Vaseline Like the pictures on the wall Of the local record shop Hearing noises we were destined to remember We willed the thrill to never stop
May sweet memories of friends from the past Always come to you, when you look for them And your inspiration, long may it last May it come to you, time and time again
Now everybody seems to have their own opinion Who did this and who did that But as for me I don't see how they can remember When they weren't where it was at
And they can't take it from me if they try I lived through those early days So many times I had to change the pain to laughter Just to keep from getting crazed I lived through those early days I lived through those early days
Fans
can watch an exclusive 29 minute behind-the-scenes jamming session
filmed at the 'Early Days' video shoot. The official video was launched
earlier this summer and the end of it sees Paul playing with a group of
blues guitarists, including Johnny Depp. This exclusive footage captures
an impromptu jamming session that broke out between Paul and the
musicians on the day of the shoot.
An official 'Making of Early
Days' film will be made available later this year as part of a special
collector's edition of 'NEW'. The special collector's edition will
feature highlights and exclusive material chronicling the release and
promotion of 'NEW'. More details to be announced in the coming weeks.
'NEW' was originally released in October 2013.
The Kennedy Center Honors Led Zeppelin The Kennedy Center Opera House Washington, DC Recorded December 2, 2012 Broadcast December 26, 2012 on CBS-TV
Setlist: 01 Introduction - Jack Black 02 Rock And Roll - Foo Fighters 03 Ramble On - Kid Rock 04 Whole Lotta Love - Lenny Kravitz with Craig Ross (guitar) 05 Stairway To Heaven - Ann and Nancy Wilson with Jason Bonham (drums)
7:50 - Hello Goodbye / Penny Lane (No Doubt) 10:22 - Maybe I'm Amazed (Dave Grohl & Norah Jones) 12:56 - She Came In Through The Bathroom Window / Golden Slumbers / Carry That Weight / The End (Steven Tyler) 17:02 - Let It Be / Hey Jude (James Taylor & Mavis Staples)
Sir
Paul McCartney's career was celebrated by some of rock's biggest names
as part of the 33rd annual Kennedy Center Honors. Macca was recognized
alongside TV giant Oprah Winfrey, country legend Merle Haggard and
others by President Obama at the event.
McCartney was treated to a
rendition of 'Hello, Goodbye' by No Doubt and a duet of 'Maybe I'm
Amazed' by Foo Fighters front-man Dave Grohl and pop singer Norah Jones.
Later, Aerosmith's Steven Tyler, who was asked to perform by McCartney,
did a medley of songs from 'Abbey Road.' James Taylor and Mavis Staples
closed out the show with 'Let It Be' and 'Hey Jude.'
Paul rehearsing to get #OutThere in Marseille, France
http://www.PaulMcCartney.com --- Paul’s
‘Out There’ tour blew the roof off The O2 in London, Barclaycard Arena
in Birmingham and Echo Arena in Liverpool last week. The tour is now set
to take over Europe this the summer with dates this month in Marseille,
Amsterdam and Paris, followed by Roskilde, Oslo and Stockholm in July.
We
spoke with Paul earlier yesterday following rehearsals with his band
and he asked us to share with you the clip below. The video, based
around his 1989 tune ‘Ou Est Le Soleil’, turned into a 13 minute jam
dedicated to the first date of the next tour leg: Marseille.
Paul’s ‘Out There’ Summer Tour:
5th June: Nouveau Stade Vélodrome, Marseille 7th June: ZiggoDome, Amsterdam 8th June: ZiggoDome, Amsterdam 11th June: Stade de France, Paris 19th June: Firefly Music Festival, Dover (DE) 21st June: Wells Fargo Center, Philadelphia 23rd June: John Paul Jones Arena, Charlottesville 25th June: Colonial Life Arena, Columbia 4th July: Roskilde Festival, Roskilde 7th July: Telenor Arena, Oslo 9th July: Tele2 Arena, Stockholm 31st July: Lollapalooza Festival, Chicago
Pre-order 'Tug of War 2015 Reissue' below: US: Pre-order HERE: http://mpl.pm/ToW_PoP_KingsRoad UK / Rest of the World: Pre-order HERE: http://paulmccartney.lnk.to/TOW iTunes: Pre-order HERE: http://smarturl.it/PMToWiTunes --- MPL
and the Concord Music Group are proud to announce two more landmark
instalments in the multiple GRAMMY-winning Paul McCartney Archive
Collection.
On 2nd October, 2015, Paul’s early ‘80s back-to-back
classics 'Tug of War' and 'Pipes of Peace' will receive lavish multiple
configuration reissue treatment including exclusive 2015 remixes of
both the entire 'Tug of War' album and the 'Pipes of Peace' classic
collaboration with Michael Jackson 'Say Say Say,' a treasure trove of
previously unreleased tracks and never before seen video, and much more.
Released
in 1982, 'Tug of War' was Paul’s first album following the break-up of
Wings and his third solo LP overall. Hailed upon its release as
“exquisitely crafted” by The New York Times and a “masterpiece” by
Rolling Stone, 'Tug of War' went to #1 in no less than nine countries.
'Tug of War' yielded such classic tracks as Paul’s #1 duet with Stevie
Wonder 'Ebony and Ivory,' the top 10 single 'Take It Away,' and of
course 'Here Today,' the conversation Paul never had with the late John
Lennon that remains a staple of Paul’s live set to this day.
As
with the GRAMMY-winning 'Band on the Run' and 'Wings Over America'
Archive editions, Paul personally supervised all aspects of these
releases and their various formats, which include:
'Tug of War'
will be issued as a 2-CD Special Edition comprised of the 2015 remix of
the entire album, plus a second disc of bonus audio featuring eight
previously unreleased demos of both album tracks and outtakes 'Stop, You
Don’t Know Where She Came From' and 'Something That Didn’t Happen,' as
well as demo and solo versions of 'Ebony and Ivory' and more.
The
'Tug Of War' 3-CD/1-DVD Deluxe Edition adds the original 1982 album mix
and a DVD featuring original music videos for the album’s singles and
the brand new 18-minute documentary 'Fly TIA—Behind The Scenes on Take
It Away' featuring previously unseen archival footage.
In
keeping with the award-winning Paul McCartney Archive Collection
standards, the 'Tug of War' Deluxe Edition will include a 112-page essay
book and 64-page scrapbook, while the strictly limited run of 1000
Super Deluxe sets will arrive in a limited edition acrylic slipcase with
five hand numbered prints of images from the Linda McCartney archive.
Both
albums and their companion bonus audio discs will also be released as
2-LP 180-gram audiophile vinyl editions complete with gatefold sleeves
and download cards. The newly remixed and mastered 'Tug of War' and
remastered 'Pipes of Peace' will also receive standard and Hi Res
digital releases, as well deluxe digital and Hi Res releases featuring
all bonus audio.
'Tug of War' and 'Pipes of Peace' are the
newest instalments in the acclaimed and ongoing Paul McCartney Archive
Collection. The inaugural release in the series, the Deluxe Edition of
Paul McCartney and Wings’ 1973 milestone 'Band on the Run', won the 2010
GRAMMY Award for Best Historical Album, while the Deluxe Edition Box
Set of the 1976 classic live collection 'Wings Over America' took the
2013 GRAMMY for Best Boxed or Special Limited Edition Package.
Previous
releases in this ambitious reissue program encompassing 41 years of
timeless material from the most successful songwriter and recording
artist of all time include solo works 'McCartney' and 'McCartney II',
Paul and Linda McCartney’s 'RAM', and Wings’ 'Venus and Mars' and 'At
The Speed Of Sound'.
Lonnie Youngblood Band & so-called Jim (early years)
In
1965-66 Hendrix seems to be quite in demand, playing on sessions with
King Curtis and Ray Sharpe; Lonnie Youngblood; The Icemen; Jimmy Norman;
Billy Lamont and get's his first composer credit on the Curtis Knight
and The Squires's instrumental single "Hornets Nest". (Wikipedia)
Lyrics: Yeah, the movement's in motion with mass militant poetry Now check this out...uggh!
In the right light, study becomes insight But the system that dissed us Teaches us to read and right
So called facts are fraud They want us to allege and pledge And bow down to their God Lost the culture, the culture lost Spun our minds and through time Ignorance has taken over Yo, we gotta take the power back! Bam! Here's the plan Motherfuck Uncle Sam Step back, I know who I am Raise up your ear, I'll drop the style and clear It's the beats and the lyrics they fear The rage is relentless We need a movement with a quickness You are the witness of change And to counteract We gotta take the power back
Yeah, we gotta take the power back Come on, come on! We gotta take the power back
The present curriculum I put my fist in 'em Eurocentric every last one of 'em See right through the red, white and blue disguise With lecture I puncture the structure of lies Installed in our minds and attempting To hold us back We've got to take it back Holes in our spirit causin' tears and fears One-sided stories for years and years and years I'm inferior? Who's inferior? Yeah, we need to check the interior Of the system that cares about only one culture And that is why We gotta take the power back
Yeah, we gotta take the power back Come on, come on! We gotta take the power back
Hey yo check, we're gonna have to break it, break it, break it down Awww shit!
Uggh!
And like this...uggh!
Come on, yeah! Bring it back the other way!
The teacher stands in front of the class But the lesson plan he can't recall The student's eyes don't perceive the lies Bouning off every fucking wall His composure is well kept I guess he fears playing the fool The complacent students sit and listen to some of that Bullshit that he learned in school
Europe ain't my rope to swing on Can't learn a thing from it Yet we hang from it Gotta get it, gotta get it together then Like the motherfuckin' weathermen To expose and close the doors on those who try To strangle and mangle the truth 'Cause the circle of hatred continues unless we react We gotta take the power back
Yeah, we gotta take the power back Come on, come on! We gotta take the power back
No more lies No more lies No more lies No more lies No more lies No more lies No more lies No more lies
Uggh!
Yeah!
Take it back y'all Take it back, a-take it back A-take it back y'all, come on! Take it back y'all Take it back, a-take it back A-take it back y'all, come on!
I chose and played 100 Great and Famous Bass Lines (Medley!) which, in my
opinion, every bass player should know! These bass lines helped me
during those years to improve my playing and also to have fun ;D I'm sorry for some mistakes D: Let me know which is your favorite one! :) I credited "Higher Ground" to the RHCP and not to Stevie Wonder just because i played RHCP version (with slap bass!!)
Don't forget to leave a comment to let me know if you enjoyed this video, it's important for me! :) I'm playing a Fender Jazz Bass made in Mexico! If you want to be always updated about my channel, SUBSCRIBE! and JOIN THE FUNK! :D
Conclásicosde los 80álbumesde PabloTugof Warand Pipesof Peacereeditadola próxima semana, pensamos quesería el momentoperfecto para lanzarun nuevo concursode la marcapor todo lo quelos creativos!
Hemoselaboradouna selección decolorexclusivaenimágenes(aptopara niños y adultos!)Queestamosdandode forma gratuitaenla sección de descargasde la página web.Se puede elegirentre dosTugicónicade las imágenesde la guerray dos dePipes ofPeace.
Sólo tienes , imprimir,personalizar ypublicarel suyo aInstagramy /o Twittermediante elhashtag#WarAndPeace.Vamos avolver apublicandonuestros favoritosen lasección de artedel ventiladordelmicrosite, quese puede explorarAQUÍ!Nuestros favoritosfavoritosganarán unaedición de lujode cualquieraEsfuerzo supremooPipes ofPeaceytrescorredoresafortunadoshastaganaráuna copia de ambosálbumes.
Vamos aelegir a los ganadoresa las 12 pm(GMT) del viernes30 de octubrede 2015.No podemosesperar a verlo que creas-¡buena suerte!
With Paul's classic ‘80s albums Tug of War and Pipes of Peace reissued next week, we thought it would be the perfect time to launch a brand new competition for all you creatives!
We have drawn up a selection of exclusive colouring in images (suitable for adults and children!) which we’re giving away for free in the downloads section of the website. You can choose from two iconic Tug of War images and two from Pipes of Peace.
Simply download, print, personalise and post yours to Instagram and/or Twitter using the hashtag #WarAndPeace. We will be re-posting our favourites on the fan art section of the microsite, which you can explore HERE! Our favourite favourites will win a Deluxe Edition of either Tug of War or Pipes of Peace and three lucky runners up will win a copy of both albums.
We will pick the winners at 12pm (BST) on Friday 30th October 2015. We can't wait to see what you create - good luck!
NEW YORK CITY: Come together with Yoko Ono & The John Lennon
Educational Tour Bus on October 6th in Central Park for an official
GUINNESS WORLD RECORDSⓇ attempt for the Largest human peace sign. This
is a family friendly event with live music, special performances and an
aerial photograph to capture this landmark celebration. Register for
free now at imaginepeace.eventbrite.com.
Written by: Lennon-McCartney Recorded:11 February 1968 Producer: George Martin Engineer: Geoff Emerick Released: 17 January 1969 (UK), 13 January 1969 (US) John Lennon: vocals, piano, guitar Paul McCartney: vocals, bass, tambourine George Harrison: guitar Ringo Starr: drums Available on: Yellow Submarine Yellow Submarine Songtrack
Released on the soundtrack to the Yellow Submarine animation, Hey
Bulldog was written and recorded while The Beatles were being filmed for
a promotional film for Lady Madonna.
The song started life as Hey Bullfrog, based on a few ideas sketched
out by John Lennon. The line 'Some kind of solitude is measured out in
you' was originally 'measured out in news', but McCartney claimed to
have misread Lennon's handwriting.
Paul said we should do a real song in the studio, to
save wasting time. Could I whip one off? I had a few words at home so I
brought them in.
John Lennon
The Beatles, Hunter Davies
The title came about after McCartney made a barking sound during the
session, as he and Lennon ad-libbed during the finale. The Beatles
decided to keep the barking in, changing the title to Hey Bulldog to
fit.
Hunter Davies also recounted how Lennon originally tried playing a
sitar on the track, strumming it like George Formby's ukulele and
singing in a Lancashire accent. Although an intriguing proposition, The
Beatles were unable to work this into the song.
Musically, the song harks back to the early R&B riffs of songs such as Money (That's What I Want), and retains a similar blues feel as Lady Madonna - the two songs were combined on the Love album.
An animated sequence for Hey Bulldog was made for the Yellow
Submarine film, although it was originally included only in European
prints.
That's me, 'cause of the Yellow Submarine people, who
were gross animals apart from the guy who drew the paintings for the
movie. They lifted all the ideas for the movie out of our heads and
didn't give us any credit. We had nothing to do with that movie, and we
sort of resented them. It was the third movie that we owed United
Artists. Brian had set it up and we had nothing to do with it. But I
liked the movie, the artwork. They wanted another song, so I knocked off
Hey Bulldog. It's a good-sounding record that means nothing.
John Lennon
All We Are Saying, David Sheff
The recording of Hey Bulldog, unusually, was captured by a film crew.
As The Beatles were preparing to travel to India, a promotional film
for Lady Madonna was commissioned, to be issued in their absence.
The Hey Bulldog animated sequence was restored for the 1999 worldwide
re-release of Yellow Submarine. At the same time Apple revisited the
original studio footage of The Beatles and synchronised it with the
song, to create a new promo clip.
When we were in the studio recording Bulldog,
apparently it was at a time when they needed some footage for something
else, some other record, and a film crew came along and filmed us. Then
they cut up the footage and used some of the shots for something else.
But it was Neil Aspinall who found out that when you watched and
listened to what the original thing was, we were recording Bulldog. This
was apparently the only time we were actually filmed recording
something, so what Neil did was, he put it all back together again and
put the Bulldog soundtrack onto it, and there it was.
George Harrison
Hey Bulldog was later cited by The Beatles' engineer Geoff Emerick
as one of their final true group efforts, with equal contributions from
all members. Following their Indian jaunt The Beatles' sense of
togetherness began to sour; they tended to work separately, with
increasingly frequent disagreements which eventually led to their split.
In the studio
On 11 February
The Beatles recorded, completed and mixed Hey Bulldog during a 10-hour
session. The basic rhythm tracks consisted of piano, drums, tambourine,
lead guitar and bass.
By take 10 they had a good version, and so onto this were overdubbed
more drums, fuzz bass, a guitar solo, double tracked lead vocals by
Lennon and backing vocals from McCartney.
I remember Hey Bulldog as being one of John's songs and
I helped him finish it off in the studio, but it's mainly his vibe.
There's a little rap at the end between John and I; we went into a crazy
little thing at the end.
