Paul McCartney 'Pipes of Peace (2015 Remaster)

Pipes of Peace en su versión remasterizada del 2015 disfrutenla.

Paul McCartney - Early Days

http://www.PaulMcCartney.com
'Early Days' is taken from Paul McCartney's 'NEW' album.

Get 'NEW':
From Amazon: http://smarturl.it/PMc_New_Album_Amzn
From iTunes: http://smarturl.it/PMnewiTunes
From Google Play: http://g.co/PlayPaulMcCartney

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Early Days:

They can't take it from me if they try
I lived through those early days
So many times I had to change the pain to laughter
Just to keep from getting crazed

Dressed in black from head to toe
Two guitars across our backs
We would walk the city roads
Seeking someone who would listen to the music
That we were writing down at home

But they can't take it from me if they try
I lived through those early days
So many times I had to change the pain to laughter
Just to keep from getting crazy

Hair slicked back with Vaseline
Like the pictures on the wall
Of the local record shop
Hearing noises we were destined to remember
We willed the thrill to never stop

May sweet memories of friends from the past
Always come to you, when you look for them
And your inspiration, long may it last
May it come to you, time and time again

Now everybody seems to have their own opinion
Who did this and who did that
But as for me I don't see how they can remember
When they weren't where it was at

And they can't take it from me if they try
I lived through those early days
So many times I had to change the pain to laughter
Just to keep from getting crazed
I lived through those early days
I lived through those early days

Paul McCartney 'Early Days' (Exclusive Behind-The-Scenes Jamming - Full Version)

http://www.PaulMcCartney.com

Fans can watch an exclusive 29 minute behind-the-scenes jamming session filmed at the 'Early Days' video shoot. The official video was launched earlier this summer and the end of it sees Paul playing with a group of blues guitarists, including Johnny Depp. This exclusive footage captures an impromptu jamming session that broke out between Paul and the musicians on the day of the shoot.

An official 'Making of Early Days' film will be made available later this year as part of a special collector's edition of 'NEW'. The special collector's edition will feature highlights and exclusive material chronicling the release and promotion of 'NEW'. More details to be announced in the coming weeks. 'NEW' was originally released in October 2013.

Watch the video for 'Early Days' HERE: http://youtu.be/QvBVIA_ZaNg

The Kennedy Center Honors Led Zeppelin 2012

The Kennedy Center Honors Led Zeppelin
The Kennedy Center Opera House
Washington, DC
Recorded December 2, 2012
Broadcast December 26, 2012 on CBS-TV


Setlist:
01 Introduction - Jack Black
02 Rock And Roll - Foo Fighters
03 Ramble On - Kid Rock
04 Whole Lotta Love - Lenny Kravitz with Craig Ross (guitar)
05 Stairway To Heaven - Ann and Nancy Wilson with Jason Bonham (drums)


HIGH DEF DVD
DOWNLOAD HERE:
[must be logged into free community to d/l]
http://bootlegtunzworld.org/community...

from:
Tunz Master Dino
D & P's Bootleg Tunz World

PAUL McCARTNEY AT KENNEDY CENTER HONORS (Complete) 

 

See also☛ PAUL McCARTNEY IN PERFORMANCE AT THE WHITE HOUSE (Complete)
http://youtu.be/Q8rz9T3fSW8

7:50 - Hello Goodbye / Penny Lane (No Doubt)
10:22 - Maybe I'm Amazed (Dave Grohl & Norah Jones)
12:56 - She Came In Through The Bathroom Window / Golden Slumbers / Carry That Weight / The End (Steven Tyler)
17:02 - Let It Be / Hey Jude (James Taylor & Mavis Staples)


Sir Paul McCartney's career was celebrated by some of rock's biggest names as part of the 33rd annual Kennedy Center Honors. Macca was recognized alongside TV giant Oprah Winfrey, country legend Merle Haggard and others by President Obama at the event.

McCartney was treated to a rendition of 'Hello, Goodbye' by No Doubt and a duet of 'Maybe I'm Amazed' by Foo Fighters front-man Dave Grohl and pop singer Norah Jones. Later, Aerosmith's Steven Tyler, who was asked to perform by McCartney, did a medley of songs from 'Abbey Road.' James Taylor and Mavis Staples closed out the show with 'Let It Be' and 'Hey Jude.'
 

Paul rehearsing to get #OutThere in Marseille, France 

 

http://www.PaulMcCartney.com
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Paul’s ‘Out There’ tour blew the roof off The O2 in London, Barclaycard Arena in Birmingham and Echo Arena in Liverpool last week. The tour is now set to take over Europe this the summer with dates this month in Marseille, Amsterdam and Paris, followed by Roskilde, Oslo and Stockholm in July.

We spoke with Paul earlier yesterday following rehearsals with his band and he asked us to share with you the clip below. The video, based around his 1989 tune ‘Ou Est Le Soleil’, turned into a 13 minute jam dedicated to the first date of the next tour leg: Marseille.

Paul’s ‘Out There’ Summer Tour:

5th June: Nouveau Stade Vélodrome, Marseille
7th June: ZiggoDome, Amsterdam
8th June: ZiggoDome, Amsterdam
11th June: Stade de France, Paris
19th June: Firefly Music Festival, Dover (DE)
21st June: Wells Fargo Center, Philadelphia
23rd June: John Paul Jones Arena, Charlottesville
25th June: Colonial Life Arena, Columbia
4th July: Roskilde Festival, Roskilde
7th July: Telenor Arena, Oslo
9th July: Tele2 Arena, Stockholm
31st July: Lollapalooza Festival, Chicago

Paul McCartney 'Tug of War (Remix 2015)

 

Pre-order 'Tug of War 2015 Reissue' below:
US: Pre-order HERE: http://mpl.pm/ToW_PoP_KingsRoad
UK / Rest of the World: Pre-order HERE: http://paulmccartney.lnk.to/TOW
iTunes: Pre-order HERE: http://smarturl.it/PMToWiTunes
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MPL and the Concord Music Group are proud to announce two more landmark instalments in the multiple GRAMMY-winning Paul McCartney Archive Collection.

On 2nd October, 2015, Paul’s early ‘80s back-to-back classics 'Tug of War' and 'Pipes of Peace' will receive lavish multiple configuration reissue treatment including exclusive 2015 remixes of both the entire 'Tug of War' album and the 'Pipes of Peace' classic collaboration with Michael Jackson 'Say Say Say,' a treasure trove of previously unreleased tracks and never before seen video, and much more.

Released in 1982, 'Tug of War' was Paul’s first album following the break-up of Wings and his third solo LP overall. Hailed upon its release as “exquisitely crafted” by The New York Times and a “masterpiece” by Rolling Stone, 'Tug of War' went to #1 in no less than nine countries. 'Tug of War' yielded such classic tracks as Paul’s #1 duet with Stevie Wonder 'Ebony and Ivory,' the top 10 single 'Take It Away,' and of course 'Here Today,' the conversation Paul never had with the late John Lennon that remains a staple of Paul’s live set to this day.

As with the GRAMMY-winning 'Band on the Run' and 'Wings Over America' Archive editions, Paul personally supervised all aspects of these releases and their various formats, which include:

'Tug of War' will be issued as a 2-CD Special Edition comprised of the 2015 remix of the entire album, plus a second disc of bonus audio featuring eight previously unreleased demos of both album tracks and outtakes 'Stop, You Don’t Know Where She Came From' and 'Something That Didn’t Happen,' as well as demo and solo versions of 'Ebony and Ivory' and more.

The 'Tug Of War' 3-CD/1-DVD Deluxe Edition adds the original 1982 album mix and a DVD featuring original music videos for the album’s singles and the brand new 18-minute documentary 'Fly TIA—Behind The Scenes on Take It Away' featuring previously unseen archival footage.

In keeping with the award-winning Paul McCartney Archive Collection standards, the 'Tug of War' Deluxe Edition will include a 112-page essay book and 64-page scrapbook, while the strictly limited run of 1000 Super Deluxe sets will arrive in a limited edition acrylic slipcase with five hand numbered prints of images from the Linda McCartney archive.

Both albums and their companion bonus audio discs will also be released as 2-LP 180-gram audiophile vinyl editions complete with gatefold sleeves and download cards. The newly remixed and mastered 'Tug of War' and remastered 'Pipes of Peace' will also receive standard and Hi Res digital releases, as well deluxe digital and Hi Res releases featuring all bonus audio.

'Tug of War' and 'Pipes of Peace' are the newest instalments in the acclaimed and ongoing Paul McCartney Archive Collection. The inaugural release in the series, the Deluxe Edition of Paul McCartney and Wings’ 1973 milestone 'Band on the Run', won the 2010 GRAMMY Award for Best Historical Album, while the Deluxe Edition Box Set of the 1976 classic live collection 'Wings Over America' took the 2013 GRAMMY for Best Boxed or Special Limited Edition Package.

Previous releases in this ambitious reissue program encompassing 41 years of timeless material from the most successful songwriter and recording artist of all time include solo works 'McCartney' and 'McCartney II', Paul and Linda McCartney’s 'RAM', and Wings’ 'Venus and Mars' and 'At The Speed Of Sound'.

Lonnie Youngblood Band & so-called Jim (early years)

Lonnie Youngblood Band & so-called Jim (early years)

In 1965-66 Hendrix seems to be quite in demand, playing on sessions with King Curtis and Ray Sharpe; Lonnie Youngblood; The Icemen; Jimmy Norman; Billy Lamont and get's his first composer credit on the Curtis Knight and The Squires's instrumental single "Hornets Nest". (Wikipedia)

Anna Sentina best bass woman cover bass

Rage Against the Machine - Take the Power Back Bass Cover

http://instagram.com/annapocalypsee https://www.facebook.com/AnnaSentina https://twitter.com/Annapocalypsee

For booking: annasentinabooking@gmail.com



Lyrics:
Yeah, the movement's in motion with mass militant poetry
Now check this out...uggh!

In the right light, study becomes insight
But the system that dissed us
Teaches us to read and right

So called facts are fraud
They want us to allege and pledge
And bow down to their God
Lost the culture, the culture lost
Spun our minds and through time
Ignorance has taken over
Yo, we gotta take the power back!
Bam! Here's the plan
Motherfuck Uncle Sam
Step back, I know who I am
Raise up your ear, I'll drop the style and clear
It's the beats and the lyrics they fear
The rage is relentless
We need a movement with a quickness
You are the witness of change
And to counteract
We gotta take the power back

Yeah, we gotta take the power back
Come on, come on!
We gotta take the power back

The present curriculum
I put my fist in 'em
Eurocentric every last one of 'em
See right through the red, white and blue disguise
With lecture I puncture the structure of lies
Installed in our minds and attempting
To hold us back
We've got to take it back
Holes in our spirit causin' tears and fears
One-sided stories for years and years and years
I'm inferior? Who's inferior?
Yeah, we need to check the interior
Of the system that cares about only one culture
And that is why
We gotta take the power back

Yeah, we gotta take the power back
Come on, come on!
We gotta take the power back

Hey yo check, we're gonna have to break it, break it,
break it down
Awww shit!

Uggh!

And like this...uggh!

Come on, yeah! Bring it back the other way!

The teacher stands in front of the class
But the lesson plan he can't recall
The student's eyes don't perceive the lies
Bouning off every fucking wall
His composure is well kept
I guess he fears playing the fool
The complacent students sit and listen to some of that
Bullshit that he learned in school

Europe ain't my rope to swing on
Can't learn a thing from it
Yet we hang from it
Gotta get it, gotta get it together then
Like the motherfuckin' weathermen
To expose and close the doors on those who try
To strangle and mangle the truth
'Cause the circle of hatred continues unless we react
We gotta take the power back

Yeah, we gotta take the power back
Come on, come on!
We gotta take the power back

No more lies
No more lies
No more lies
No more lies
No more lies
No more lies
No more lies
No more lies

Uggh!

Yeah!

Take it back y'all
Take it back, a-take it back
A-take it back y'all, come on!
Take it back y'all
Take it back, a-take it back
A-take it back y'all, come on!

100 Great and Famous Bass Lines

I chose and played 100 Great and Famous Bass Lines (Medley!) which, in my opinion, every bass player should know! These bass lines helped me during those years to improve my playing and also to have fun ;D
I'm sorry for some mistakes D: Let me know which is your favorite one! :)
I credited "Higher Ground" to the RHCP and not to Stevie Wonder just because i played RHCP version (with slap bass!!)

Here's my ALBUM:

Spotify: https://play.spotify.com/album/69HT8J...
iTunes: http://phobos.apple.com/WebObjects/MZ...

Don't forget to leave a comment to let me know if you enjoyed this video, it's important for me! :)
I'm playing a Fender Jazz Bass made in Mexico!
If you want to be always updated about my channel, SUBSCRIBE! and JOIN THE FUNK! :D

I've also a Facebook page: http://www.facebook.com/Davie504 join! :)

Twitter page : https://twitter.com/Davie504bass
See you soon and Stay Funky! :)

__

Spero ti piaccia e non dimenticare di lasciare un commento e di mettere "mi piace" se, ovviamente, il video ti è piaciuto! :P E' importante per me! :)

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Pinta con Paul McCartney - Pipes of Peace - tug of war

Con clásicos de los 80 álbumes de Pablo Tug of War and Pipes of Peace reeditado la próxima semana, pensamos que sería el momento perfecto para lanzar un nuevo concurso de la marca por todo lo que los creativos!

Hemos elaborado una selección de color exclusiva en imágenes (apto para niños y adultos!) Que estamos dando de forma gratuita en la sección de descargas de la página web. Se puede elegir entre dos Tug icónica de las imágenes de la guerra y dos de Pipes of Peace.

Sólo tienes , imprimir, personalizar y publicar el suyo a Instagram y / o Twitter mediante el hashtag #WarAndPeace. Vamos a volver a publicando nuestros favoritos en la sección de arte del ventilador del microsite, que se puede explorar AQUÍ! Nuestros favoritos favoritos ganarán una edición de lujo de cualquiera Esfuerzo supremo o Pipes of Peace y tres corredores afortunados hasta ganará una copia de ambos álbumes.

Vamos a elegir a los ganadores a las 12 pm (GMT) del viernes 30 de octubre de 2015. No podemos esperar a ver lo que creas - ¡buena suerte!




http://www.paulmccartney.com/news-blogs/news/colour-in-paul-to-win-deluxe-edition

Colour in Paul to win!

Colour in Paul to win!

With Paul's classic ‘80s albums Tug of War and Pipes of Peace reissued next week, we thought it would be the perfect time to launch a brand new competition for all you creatives!
We have drawn up a selection of exclusive colouring in images (suitable for adults and children!) which we’re giving away for free in the downloads section of the website. You can choose from two iconic Tug of War  images and two from Pipes of Peace. 
Simply download, print, personalise and post yours to Instagram and/or Twitter using the hashtag #WarAndPeace. We will be re-posting our favourites on the fan art section of the microsite, which you can explore HERE! Our favourite favourites will win a Deluxe Edition of either Tug of War or Pipes of Peace and three lucky runners up will win a copy of both albums. 

We will pick the winners at 12pm (BST) on Friday 30th October 2015. We can't wait to see what you create - good luck!



Tomado de:

http://www.paulmccartney.com/news-blogs/news/colour-in-paul-to-win-deluxe-edition

Imagine Peace NYC October 6th - The John Lennon Educational Tour Bus

Imagine Peace NYC October 6th

NEW YORK CITY: Come together with Yoko Ono & The John Lennon Educational Tour Bus on October 6th in Central Park for an official GUINNESS WORLD RECORDSⓇ attempt for the Largest human peace sign. This is a family friendly event with live music, special performances and an aerial photograph to capture this landmark celebration. Register for free now at imaginepeace.eventbrite.com.

When & Where:

Hey Bulldog history

Hey Bulldog

Written by: Lennon-McCartney
Recorded: 11 February 1968
Producer: George Martin
Engineer: Geoff Emerick
Released: 17 January 1969 (UK), 13 January 1969 (US)
John Lennon: vocals, piano, guitar
Paul McCartney: vocals, bass, tambourine
George Harrison: guitar
Ringo Starr: drums
Available on:
Yellow Submarine
Yellow Submarine Songtrack
Released on the soundtrack to the Yellow Submarine animation, Hey Bulldog was written and recorded while The Beatles were being filmed for a promotional film for Lady Madonna.

The song started life as Hey Bullfrog, based on a few ideas sketched out by John Lennon. The line 'Some kind of solitude is measured out in you' was originally 'measured out in news', but McCartney claimed to have misread Lennon's handwriting.

Paul said we should do a real song in the studio, to save wasting time. Could I whip one off? I had a few words at home so I brought them in.

John Lennon
The Beatles, Hunter Davies

The title came about after McCartney made a barking sound during the session, as he and Lennon ad-libbed during the finale. The Beatles decided to keep the barking in, changing the title to Hey Bulldog to fit.
Hunter Davies also recounted how Lennon originally tried playing a sitar on the track, strumming it like George Formby's ukulele and singing in a Lancashire accent. Although an intriguing proposition, The Beatles were unable to work this into the song.
Musically, the song harks back to the early R&B riffs of songs such as Money (That's What I Want), and retains a similar blues feel as Lady Madonna - the two songs were combined on the Love album.
An animated sequence for Hey Bulldog was made for the Yellow Submarine film, although it was originally included only in European prints.

That's me, 'cause of the Yellow Submarine people, who were gross animals apart from the guy who drew the paintings for the movie. They lifted all the ideas for the movie out of our heads and didn't give us any credit. We had nothing to do with that movie, and we sort of resented them. It was the third movie that we owed United Artists. Brian had set it up and we had nothing to do with it. But I liked the movie, the artwork. They wanted another song, so I knocked off Hey Bulldog. It's a good-sounding record that means nothing.

John Lennon
All We Are Saying, David Sheff

The recording of Hey Bulldog, unusually, was captured by a film crew. As The Beatles were preparing to travel to India, a promotional film for Lady Madonna was commissioned, to be issued in their absence.
The Hey Bulldog animated sequence was restored for the 1999 worldwide re-release of Yellow Submarine. At the same time Apple revisited the original studio footage of The Beatles and synchronised it with the song, to create a new promo clip.

When we were in the studio recording Bulldog, apparently it was at a time when they needed some footage for something else, some other record, and a film crew came along and filmed us. Then they cut up the footage and used some of the shots for something else. But it was Neil Aspinall who found out that when you watched and listened to what the original thing was, we were recording Bulldog. This was apparently the only time we were actually filmed recording something, so what Neil did was, he put it all back together again and put the Bulldog soundtrack onto it, and there it was.

George Harrison

Hey Bulldog was later cited by The Beatles' engineer Geoff Emerick as one of their final true group efforts, with equal contributions from all members. Following their Indian jaunt The Beatles' sense of togetherness began to sour; they tended to work separately, with increasingly frequent disagreements which eventually led to their split.

In the studio

On 11 February The Beatles recorded, completed and mixed Hey Bulldog during a 10-hour session. The basic rhythm tracks consisted of piano, drums, tambourine, lead guitar and bass.
By take 10 they had a good version, and so onto this were overdubbed more drums, fuzz bass, a guitar solo, double tracked lead vocals by Lennon and backing vocals from McCartney.

I remember Hey Bulldog as being one of John's songs and I helped him finish it off in the studio, but it's mainly his vibe. There's a little rap at the end between John and I; we went into a crazy little thing at the end.

Version :  Dave Grohl and Jeff Lynne - Hey bulldog

Yoko Ono organizará “fiesta pacífica“ para John Lennon

*Con información de El Informador.mx

Yoko Ono quiere celebrar el próximo cumpleaños de John Lennon organizando en el Central Park de Nueva York un gran símbolo de la paz ”humano” con el que espera entrar en el libro Guiness de los récords.
‘‘No hay que hacer mucho. El poder funciona de las maneras más misteriosas. Visualiza el efecto dominó y empieza a pensar en Paz”, asegura la viuda de Lennon en un mensaje que lleva varios días circulando en diferentes redes sociales.
La cita será el próximo 6 de octubre en la explanada East Meadow de Central Park, donde Yoko Ono espera reunir a entre seis mil y 10 mil personas para el homenaje a Lennon, quien hubiese cumplido 75 años el 9 de octubre.
La participación en el evento es gratuita, pero los organizadores han habilitado este fin de semana una página web en la que aceptan donaciones de los seguidores el exbeatle que irán a parar a la organización no gubernamental ”Imagine Peace”.
‘‘Los pensamientos son contagiosos. Corre la voz. Ha llegado el momento de actuar. La Acción es Paz”, asegura Yoko Ono en otro mensaje enviado a sus más de 4.7 millones de seguidores en la red Twitter.
El registro de participantes estará abierto ese día a partir de las 10:00 hora local (14:00 GMT) en la explanada East Meadow, según anunciaron los organizadores, que añadieron que a las 12:30 hora local (16:30 GMT) se hará una fotografía aérea para el Guiness.
Lennon fue asesinado el 8 de diciembre de 1980 ante las puertas de su residencia en el edificio Dakota, al otro lado de Central Park, donde se encuentra también el jardín Strawberry Fields al que acuden sus seguidores para rendirle homenaje.

A Day In The Life Of Paul McCartney's MASSIVE EGO"(STARRING, Paul McCartney's "MASSIVE EGO

"A Day In The Life Of Paul McCartney's MASSIVE EGO"(STARRING, Paul McCartney's "MASSIVE EGO


https://www.youtube.com/watch?v=v4f1EelcsFY

What I have to say about Macca, in short, is that the "cute" Beatle in real life is not exactly "cute." Sir Paul {Oh, that 'Sir' bit makes me gag!} has become a bit of a monster: "The Great Walking Ego." He was arrogant, turning up late for the meeting with Brian Epstein that would seal their future, and soon considered himself a cut above the others. Macca really broke up The Beatles. He was the first one to sue. He hated that the other three wanted Allen Klein to be their manager - he wanted the Eastman family to represent them, Linda's family - so he simply sued for dissolution of "Beatles Inc." Macca drove Wings to a very bitchy end. He mis-treated his bandmates, insisting on having his own way over every note, every single stage movement, even every stage costume. He was notorious for not paying the band on time, or in amounts of $$ promised, or not paying at all. (He refused to sign contracts establishing exact remuneration band members would be paid.) He played favourites with pay packages, creating an atmosphere of sycophancy: Be nice to Himself, maybe you'll get paid more than the others. He has recorded so many desultory, awful solo albums that went nowhere, unlike his fellow Beatles who usually at least got their records on the charts. (Even Ringo) He has hidden behind a carefully cultivated PR image of blokeish normality, but ultimately his phalanx of PR hacks fail to disguise a man who has lost touch with everyday reality, buying land, houses, cars and horses as we shop for groceries. A music-business manager is quoted in "Fab": rock stars are never like the rest of us - they only pretend to be.

It's clearly evident that Macca has one MASSIVE EGO, and he's a Control Freak! He is, however, a talented actor and uses his personal charm to seduce "friends" and fans. I think his seductive charm - his charisma - was the quality of his that first pulled him into John Lennon's orbit. Didn't Lennon sour on him after many years, saying that Paul was a person he loved-and-hated? There you have it: Macca is a "difficult" personality. Yes, he's hugely talented, ambitious and charismatic. But everywhere he goes he tends to leave a few enemies behind. It's so easy for fans to raise a talent like Macca to god-like status. But he's just a human being. Not much different from you, or me! His knighthood is no big deal - everybody and his brother in the UK gets one for doing anything impressive. His vast wealth allows him to insulate himself from the real world, our world where people have to give a bit to take a bit, and get along with one another. No, he Gets Everything He Wants! Not so Cute!

TRADUCIDA:

"Un día en la vida del ego MASIVO de Paul McCartney" (protagonizada por "EGO MASIVO de Paul McCartney)

Lo que tengo que decir acerca de Macca, en definitiva, es que la "linda" Beatle en la vida real no es exactamente "lindo". Sir Paul {¡Oh, ese poco 'Sir' me hace gag} se ha convertido en un poco de un monstruo: "La Gran Ruta Ego". Era arrogante, apareciendo tarde a la reunión con Brian Epstein que sellaría su futuro, y pronto se consideraba un corte por encima de los demás. Macca realmente rompió The Beatles. Él fue el primero en demandar. Odiaba que los otros tres querían Allen Klein para ser su manager - que quería la familia Eastman para que los represente, la familia de Linda - así que simplemente pidió la disolución de "Beatles Inc." Macca condujo alas a un final muy perra. El mal tratada sus compañeros de banda, insistiendo en que tiene su propia manera sobre cada nota, cada movimiento de una sola etapa, incluso cada traje etapa. Era famoso por no pagar la banda a tiempo, o en cantidades de $$ prometidos, o no pagar en absoluto. (Él se negó a firmar los contratos que establecen miembros de la banda de remuneración exactas serían pagados.) Jugó favoritos con paquetes salariales, la creación de una atmósfera de adulación: Sea agradable a Él, tal vez usted va a pagar más que los demás. Ha grabado tantos discos como solista, horribles inconexas que iban a ninguna parte, a diferencia de sus compañeros de los Beatles, que por lo general al menos consiguieron sus registros en las listas. (Incluso Ringo) Él ha escondido una imagen PR cuidadosamente cultivada de normalidad blokeish detrás, pero al final su falange de hacks PR dejar de disfrazar un hombre que ha perdido contacto con la realidad cotidiana, la compra de terrenos, casas, coches y caballos que compramos en el supermercado . Un administrador de música-negocio es citado en "Fab": las estrellas de rock no son como el resto de nosotros - que sólo pretenden ser.Es claramente evidente que Macca tiene un EGO MASIVO, y él es un fanático del control! Él es, sin embargo, un talentoso actor y utiliza su encanto personal para seducir a los "amigos" y los fans. Creo que su seductor encanto - su carisma - fue la calidad de su que primero lo llevó a la órbita de John Lennon. ¿No lo hizo Lennon agria en él después de muchos años, diciendo que Pablo era una persona que amaba y odiaba-? Ahí lo tienen: Macca es una personalidad "difícil". Sí, él es talentoso, ambicioso y carismático. Pero donde quiera que va, tiende a dejar algunos enemigos atrás. Es tan fácil para los aficionados a elevar un talento como Macca a la condición de un dios. Pero él es sólo un ser humano. No muy diferente de usted, o yo! Su caballería no es gran cosa - todo el mundo y su hermano en el Reino Unido se una para hacer algo impresionante. Su vasta riqueza le permite aislarse del mundo real, nuestro mundo, donde la gente tiene que dar un poco para tomar un poco, y llevarse bien con otros. No, él consigue todo lo que quiere! No es tan lindo!

Beautiful Night - Paul McCartney

"Beautiful Night" es una canción escrita y cantada por Paul McCartney. Fue lanzado oficialmente en su álbum "Flaming Pie" en 1997. La canción fue pensada originalmente para un proyecto en los años 80 llamado "Volver a Pepperland". El álbum fue inédito, con gran parte del ser hecho de nuevo material para versiones futuras (es decir, "Flowers in the Dirt" LP de 1989).

Esta es una primera versión, alternativa de "Beautiful Night" registrada en 1986-1987. Fue grabado años antes de la versión en "Flaming Pie", que contó con Ringo Starr, ya que esta disposición cuenta con algunas letras diferentes, pero es tan bueno! Una de las mejores baladas en solitario de Pablo!


Version final:

https://www.youtube.com/watch?v=OkiV3WzWW50

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Version de estudio:  (making off)

Paul McCartney - In the World Tonight (1997)DVD.Paul McCartney - Beautiful Night (complete) @ Abbey Road - feat. Ringo Starr, Linda McCartney & George Martin
Recorded at Abbey Road Studios. Directed by Geoff Wonfor .From the album "FLAMING PIE


https://www.youtube.com/watch?v=hvTflO5P4fs

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The Beatles - Band On The Run (1973)

(A re-imagining soniclovenoize)
The Beatles - Band On The Run














Tomado de:
http://albumsthatneverwere.blogspot.se/2012/11/the-beatles-band-on-run-1973.html
Side A:1. Mind Games2. Jet3. One Day At A Time4. Mrs. Vanderbilt5. Photograph6. Be Here Now
Side B:7. Band On The Run8. I Know, I Know9. No Words10. Out Of The Blue11. The Day The Earth Gets Round12. Let Me Roll It

This is a "re-imagined" Beatles album That presume the question: What if The Beatles never broke up? My Band On The Run collects the best of The Beatles single material from and around 1973-including tracks from Band On The Run, Mind Games and Living In The Material World. It is the fourth in a series Which Also includes re-imagined Beatles Album: Instant Karma! (1970), Imagine Dripping Clouds (1971) and Living In The Material World (1972).
Thanks to one of Paul McCartney's crown His achievements in post-Beatles career paired With some fairly solid materials from John, George and Ringo, This album re-imagined Becomes one of the best of the series. As With the other three albums, my song selections centered on the ones That Seemed to be the most "Beatlesy" and Could come together as a unified album. Starting with the stand-outs of Lennon's Mind Games, the plethora of great tracks McCartney Were Chosen based on How They fit in with John's. Likewise, the remaining George Songs That Were not taken for my 1972 Beatles album Living In The Material World Were contenders for Band On The Run, and the more serene and majestic tracks fit nicely With the Lennon and McCartney choices. Of course Ringo's "Photograph" was a necessity.
In My Opinion, the album was so cohesive RESULTING That half of the songs all Seemed to be in the same key, Which allowed the first half of side B to crossfade Continuously! Note That the title track and it's new sister-songs "I Know, I Know" and "No Words" lead off side B Instead of side A Because the album Seemed to need the dynamic left and right punch of "Mind Games" and " Jet "to start the record. Note Deny That we are overlooking Laine's co-writing credit on "No Words", since we've Already Been overlooking Both Linda McCartney and Yoko Ono's credits In This Entire series! But Denny does not sing Lennon-esque harmonies anyways? The last touch was the hilariously obvious cover art.
So sit back, relax and imagine: After the long "Never Ending" North American Tour in 1972, The Beatles retreat to a secluded Nigerian studio to write and record songs for Their next album; the serenity from the hectic touring and after-show parties make the band more focused and united in Their Efforts; the non-LP single "Give Me Love (Give Me Peace On Earth)" b / w "Picasso's Last Words (Drink To Me)" recording During These sessions, became a number one hit while The Beatles finished up the remainder of the in album back in London; Band On The Run was finally released in 1973 to massive critical and commercial acclaim, Hailed as their "second Abbey Road."
Seen not only as Their best album if the 1970s but one of the best albums of The Beatles' career, Band On The Run made up for any lost momentum from the previous year's album Living In The Material World. Two hit singles from meat Band On The Run, including "Mind Games" b / w the non-LP B-side "Helen Wheels" and "Jet" b / w the non-LP B-side "Meat City". In support of the album, The Beatles embarked on a world tour in September 1973. It would be bittersweet though, as at the finding of the recording sessions for Band On The Run John Entered what was Known as his "Lost Weekend" Which extended All Through the tour and into next year. Exasperated by John's wild behavior and disloyalty eminent During the 1972 North American tour, separated from Yoko Ono John, presumably to allow him an extended His bachelor party to exorcise demons. John embraced His new-found freedom With taste, and the commercial success of Band On The Run and the RESULTING world tour was a stage for His Increasing debauchery. Into 1974 it was only Paul WHO Recognized John's downward spiral, and Hoped there was a way to Prevent The Beatles from saying 'good night' ...

Sources used:Band On The Run (1993 remaster)Living In The Material World (2006 remaster)Mind Games (2004 remaster MFSL)Photograph - The Very Best of Ringo Starr (the original 2007 master)

The Beatles - Instant Karma! (1.970)

The Beatles - Instant Karma!(una reinvención soniclovenoize)
















Tomado de:
albumsthatneverwere.blogspot.com/2012/10/the-beatles-instant-karma-1970.html

Lado A1. Instant Karma! (We All Shine On)2. All Things Must Pass3. Cada Noche4. Me enteré5. Cuidado de la Oscuridad6. Working Class Hero7. Momma Miss AméricaLado B8. No Come Easy9. Aislamiento10. basura11. My Sweet Lord12. Tal vez estoy sorprendido13. Amor14. Hear Me Señor
He recibido numerosas solicitudes de esto, así que pensé que realmente lo haría como un "gracias" a todos los que están escuchando mis reconstrucciones locos y apoyar álbumes del blog que nunca fueron. Ahora, si ustedes disfrutar de éste, puede ser el primero de una serie de cinco discos. Sé que se ha hecho antes, pero esta es mi opinión sobre ella. Déjeme saber si usted quiere que continúe esta serie, y con toda seguridad se ...Esta reconstrucción o reinvención, como yo lo llamo, hace la pregunta que creo que todos nos hemos preguntado en un momento u otro: ¿Qué pasa si los Beatles no se rompió para arriba? Este álbum teórica intenta sacrificar lo mejor de El material en solitario Beatles desde solo 1.970 para crear lo que podría haber sido el seguimiento de la banda de Abbey Road (o dependiendo de cómo se mire, Let It Be). Las canciones fueron elegidos cuidadosamente para crear un álbum unificado y coherente que mejor continuar 'La antorcha Beatles' al tiempo que conserva cada uno de los intereses divergentes de los miembros. Los mejores y menos brickwalled remasters / recorte fueron elegidos para material de origen, los niveles de volumen ajustado para mantener el equilibrio-canción a canción y todas las canciones son fuertemente libro de composición para hacer un continuo dos caras de la música.El resultado, un álbum que yo llamo Instant Karma! -es Un sombrío, álbum introspectivo, lleno de contradecir John & Paul canciones despojado abajo yuxtapuestas con los producidos masivamente-George y Ringo canciones. Musicalmente, se encuentra en algún lugar entre el álbum blanco en sus contrastes y Abbey Road con su majestad épica. Todas las canciones son de diferentes perspectivas, pero insinúan lo mismo: el deseo de comprender la esencia de la naturaleza humana básica y la búsqueda de la propia alma. Si se me atrevería, las canciones parecen crear una narrativa particular: los miembros de la propia banda participar en su propio diálogo con ellos mismos, reparar el vínculo entre ellos que se había deslizado en los 4 años anteriores.Así que sentarse e imaginar, si se quiere, una línea temporal alternativa ... que en algún momento de 1970: Los Beatles disparó Allen Klein y de alguna manera vino sobre un acuerdo de cómo ejecutar Apple Records, lo que permite a los miembros de la banda para separar la música de la empresa, la destrucción jefe de la banda que se desvió; con el éxito de "Here Comes The Sun" y "Something" y una increíble fondo de catálogo de canciones no utilizados y los nuevos, George hace campaña con éxito por una parte igual de sus propias canciones para ser presentado junto con los originales de Lennon / McCartney (con el compromiso que Linda y Yoko se permiten en el círculo íntimo de los Beatles si es necesario); satisfecho con el trabajo de Phil Spector remezclar Let It Be, The Beatles optar tenerlo producen la mayor parte de sus grabaciones a lo largo de la década de 1970 (a pesar de la renuencia de McCartney); John está de acuerdo, pero quiere dar más detalles sobre la despojada y los arreglos de banda de sonido en vivo, ya que volvió a visitar en las sesiones de Get Back del año anterior, pero al menos para sus propias composiciones escritas de sus sesiones de terapia Primal Scream; Ringo fue, como siempre, feliz de estar allí.¡Karma instantanea! se libera para el éxito de crítica y público a finales de 1970, el restablecimiento de los Beatles como una fuerza musical dominante en la década de 1970. Tres singles fueron liberados de este álbum en 1970 y principios de 1971: "Instant Karma" b / w el lado B no-álbum "Eso sería algo", "Tal vez soy Amazed" b / w la no-álbum B-side "Apple Scruffs" y "My Sweet Lord" b / w el B-lado no-álbum "Well Well Well". El éxito de Instant Karma! dio una nueva confianza a la banda que estaba tan cerca de romper, sobre todo con un nuevo productor, un líder en roles más fuerte por su guitarrista como compositor y la incertidumbre de la banda de relevancia en una nueva década. Reagrupamiento en el verano de 1971 con un nuevo conjunto de canciones y un nuevo sentido de unidad, The Beatles intentan grabar su segundo álbum de la década de 1970. ¿Puedes imaginar?
Fuente utilizada:All Things Must Pass (2010 40th Anniversary Remaster)John Lennon / Plastic Ono Band (2010 Remaster)McCartney (2011 Remaster)Fotografías - Lo mejor de Ringo Starr (2007)Working Class Hero - The Definitive John Lennon (2005)

The Beatles - Viviendo en el mundo material (1972)

 The Beatles - Viviendo en el mundo material(una reinvención soniclovenoize)















Tomado de:
http://albumsthatneverwere.blogspot.com/2012/11/the-beatles-living-in-material-world.html


Lado A:1. Retroceda Boogaloo2. Hola, Hola, Hola3. John Sinclair4. Get On The Right Thing5. ¿Quién puede verlo6. La mujer es el Nigger Of The World
Lado B:7. Vive y deja morir8. Nueva York9. Vivir en el mundo material10. Individual Pigeon11. Happy Xmas (War Is Over)12. Mi Amor

Este album "reimaginar" es el tercero de una serie que reflexiona sobre la pregunta: ¿Qué pasa si los Beatles nunca se separaron? Mi Vida En El álbum Material World recoge juntos diversos materiales Beatles en solitario desde el año 1972 (y aproximado) y se secuenció en un álbum coherente (lo mejor que se puede hacer con el material a mano, por supuesto). Es un seguimiento de mis dos reimagined anteriores discos de los Beatles, Imagina las nubes goteando de 1971 e Instant Karma! a partir de 1970.
Para continuar con mi modelo de la construcción de estos álbumes-que cada año específico de los años 70 se debe considerar, en lugar de lo mejor de la década en su conjunto, que, sin duda llegar a algunos momentos difíciles; 1972 fue uno de ellos. Lennon lanzó el algún momento muy olvidable En la ciudad de Nueva York y McCartney se basó únicamente en singles callejeros, así como la grabación de la mayor parte de la incompleta Red Rose Speedway (que no fue liberado hasta el año siguiente, pero todavía se incluye aquí porque es siendo un producto de 1972). Cuando se combina con Harrison pintoresca aún hit-and-miss Living In The Material World (que es la grabación comenzó en 1972 y por lo tanto se incluye aquí) nos quedamos con un álbum de los Beatles que, a pesar de un muy divertido escuchar, habría sido probablemente una crítica fracaso, posiblemente, aclamado como el peor álbum de su carrera (por los "Beatles normas"). Si no fuera por éxitos de McCartney en este álbum, probablemente habría sido un fracaso comercial también.
Pero ¿es realmente una mala cosa? Decidí dejar las tarjetas mientras caían porque mi construcción de Viviendo en el mundo material refleja la realidad de cada uno de los Beatles en ese punto en el tiempo. Cada artista tiene altibajos, sólo parece natural que los Beatles debe apagar un mal disco, aunque les tomó hasta 1972 para hacerlo. Y además, este resulta ser un muy divertido escuchar. El toque final es el arte de la cubierta del collage que por alguna razón parece encajar este álbum en sí, despistado y fuera de foco, pero agradable. Viviendo en el mundo material es el más débil que amamos a la raíz para, a pesar de que sabemos que va a perder. Es primo lejano Mágico de Mystery Tour.
Así que sentarse, relajarse e imaginar si se quiere: tras el éxito de los Beatles de su gira europea a finales de 1971, planean un norteamericano a principios de 1972; fechas tempranas de la gira son un éxito tan inmediato y tan agradable para los Beatles, los cuatro miembros y sus familias entablan una residencia temporal en Nueva York y el plan en un continuo "interminable" gira por el continente a lo largo del resto del año (Bob Dylan se decía que había asistido a muchos de estos espectáculos y estaba bastante impresionado con este concepto); Los Beatles reconocen un deseo inmediato de nuevo material y el proyecto de forma rápida los miembros de The Memory Band elefante y grabar estar en el mundo material, de nuevo con la producción de Phil Spector; la demanda para el producto para que coincida con su improvisada "sin fin" 1972 gira americana obliga a la etiqueta para incluir muchos solteros no LP y canciones de los Beatles ya tenían en la lata, así como el material que acaba de grabar.
La única-single de nuevas canciones del álbum Nueva York era Ringo "Back Off Boogaloo" b / w El B-lado no-LP "Big Bard cama", que tuvo críticas mixtas, muchos preguntándose por qué superior "My Love" de Pablo wasn ' t lanzado como single. El propio Lennon sostuvo que "la mujer es el Nigger of The World" debería haber sido el primer sencillo, pero el resto de la banda se negó por razones obvias. Pablo afirmó que fue un suicidio comercial y ni siquiera quería incluirla en el álbum. Un compromiso fue hecho cuando Lennon permitió "Live and Let Die" en el álbum, una canción que él aborrecía y realiza en puramente por razones contractuales (aunque entendía que era jefe de venta de punto del disco e incluso admitió que en lugar disfrutando de James Bond). Phil Spector sugirió himno feminista secuenciación de Lennon al final de la cara A del LP, por lo que los oyentes sensibles podrían simplemente detenerse y voltear el registro si se escandalizaban; los DJs parecían hacer precisamente eso.
Las críticas fueron muy duro para vivir en el mundo material, que calificó de una fuente de ingresos y simplemente una excusa para extender su gira por América (en lugar de a la inversa). Incluso se señaló que el álbum parecía ser en su mayoría hechos a medida para la excursión en sí, y las canciones de Lennon fueron conducidos políticamente también. Los críticos también señalaron la inclusión de actuales canciones sin relación populares para completar el álbum de lo contrario débil, como "Live and Let Die" y su single de diciembre de 1971 "Merry Xmas (War Is Over)" b / w el b-lado no-álbum "C Moon". Rolling Stone incluso apodado el álbum "relleno en el mundo material", pero al menos elogió la banda de exclusión de su single de ese febrero, la bien intencionada pero apresuradamente escrito y grabado "Give Irlanda Volver a los irlandeses" b / w "Suerte El irlandés. "Los Beatles tomó la crítica de estar en el mundo material al corazón, a través de su" gira interminable "y sus supuestos cada vez más excesiva fiesta detrás del escenario y el uso de drogas. Vacilante terminando su gira norteamericana a finales de 1972, los Beatles ponderó su próximo movimiento, cómo mantener a su banda en la carrera ...